Showing posts with label Freelance Writing. Show all posts
Showing posts with label Freelance Writing. Show all posts

Guest Post: 3 Ways to Support Your Fiction Habit While Working Towards That Big Contract

By Gina Conroy

Many of us are committed fiction writers, yet haven’t been paid for our efforts in years. Sometimes it’s hard to convince family and friends and we’re working when we don’t bring home a paycheck. Sometimes it’s even hard to convince ourselves.

So what’s a devoted novelist to do while waiting to land a big contract?

Freelance Before the fiction bug bit, I freelanced for several local magazines. But when raising kids, writing fiction, and freelancing became too much to juggle, I hug up my press hat. Unfortunately, I forfeited the little money I was making that “made” me as a real writer. Now almost ten years later and one book contract advance spent, I need to make money while I wait to land a bigger contract. Since getting a J.O.B is not an option for me at this point, I’ve decided to go back to my freelancing roots.

At a recent writers conference, Chuck Sambucino offered great insight on freelancing. In class I realized I had years worth of blog content that I could repurpose for different periodicals, and was inspired to send out queries. My first query to the local paper didn’t get a response, but I got a “yes” twenty minutes after I emailed a query to a magazine I used to write for. There might even be an option for writing a column when there’s an opening. Now it’s official, I’m a working freelancer again and all because I decided to send out a query!

Teach Last summer I taught story telling/plotting to a group of preteens and had a great time teaching what I love, and I got paid for it! This year I’ve added new classes to creative writing camps and hope to hold one or two this summer. The biggest obstacle is finding students, but I’m doing everything I can to make it happen. I won’t get rich doing this, but it will help fund one writer’s conference this year. And it will add to my speaking resume!!

Ebooks This fall I’ll publish my first ebook starting with the writeing course I created for teens. I also plan on taking my blog content, organizing posts into themes, and publishing them as ebooks. With seven years of blogging, I think I can come up with a couple of ebooks that people will want to read.

What about you? What have you already written that you can turn into an ebook, freelance article, or class you can teach? You might not get rich, but you might just earn a little money while you wait for that next big fiction contract, and prove to the naysayers that you are a legitimate writer.
Unfortunately, the downside to trying to support your fiction habit is that it gives you less time to actually write. But that’s another subject for another day. Til then… keep writing, one word, one project at a time!

Gina Conroy used to think she knew where her life was headed, now she's leaning on the Lord to show her the way. She is the founder of Writer...Interrupted, and tries to keep things in perspective, knowing God's timing is perfect, even if she doesn't agree with it! ;) Her first book Cherry Blossom Capers released from Barbour Publishing in January 2012 and her first full length novel, Digging Up Death should be out by early next year. On her blog and twitter @Gina Conroy she chronicles her triumphs and trials as she pursues her dreams while taking care of family.

How do you earn money while you're working on your manuscript? I do freelance editing for Elance, which brings in in a few paychecks and hones my skills at the same time. What about you?

The Waiting Game: From Writing to Reward-How Long Does It Take?

I'm enjoying a brief vacation in Breckenridge, Colorado. While I'm gone, here's a "post from the past" about the waiting game we all experience in some way. Have a wonderful week!

How long does it really take to get published? Once a book is finished, an agent is found, and that elusive publishing contract is secured, what kind of time-frame can you expect? And how is the wait different for a self-published author?

In the current economy, it's tempting to look at big-name authors and think, "I could do that." If money is getting tight for the mortgage, or a lay-off is looming, it may seem like a quick way to make some cash.

For money emergencies, freelance writing may be the best bet. See Making Money from Your Writing, and 9 Ways to Make More From Your Writing. Novel and non-fiction writing is for those who have the patience to wait for years.

I didn't know the answers to the time-frame questions, so I checked them out. Here are some links to help give writers a realistic picture of the process.

For writers aiming for traditional publication:

Agent Steve Laube shared very specific answers--including when to expect those longed-for paychecks.

Agent Rachelle Gardner has not one, but two posts on the topic. How Long? and How Long Will It Take? are her most frequent questions.

For writers planning on self-publishing:

The Small Publishers Artists and Writers Network (SPAWN) lists a very detailed timeline. There are lists to complete while writing the book, when almost finished, when editing, all the way to after publication.

Self-publishing guru J. A. Konrath compares the timelines of traditional and self-publishing. And this recent post is quite interesting: the story of a writer in despair who took Konrath's advice. In a few days (with Konrath's endorsement), Kiana Davenport's ebook, House of Skin, went from #134,555 to #10. Wow.

How about you? Are you ready for the length of time publishing can take?


Author Summer School: Starting Now (find out how to attend for free)

 How would you like to learn the basics of writing, publishing and marketing--for free? Starting right now, and going through August 10th, 2011, the Author Summer School is in session. And there's no tuition.

During the week-long school, eighteen experts will share on topics vital to writers trying to finish books, deciding whether to pursue traditional or self-publishing, working on fiction or non-fiction topics.

Head to the Author Summer School page to see a list of the experts and the courses they'll teach. If you sign up, you'll first get an email inviting you to join the "Dean's List Club". The Dean's List does have a cost, and you are under no obligation to join. It gives users recordings of the sessions, and extra materials, but users of the free portion can access the sessions for 24 hours after the live class. 

The second email will contain an orientation video, and links to each of the classes.

The classes included are:
The Most Essential Facts Every Potential Author Needs to Know
Simultaneous Book Writing and Publishing
Get Your Book Under Contract With a Literary Agent or Publisher
Non-Fiction Bestseller's Formula: Here's How You Can Stand Out
How to Write an Ebook in 72 Hours or Less
Going Beyond the Book: Fast, Easy Product Creation for Authors
LinkedIn Marketing for Authors
Expert Panel Open Q & A
Getting Into Holiday Gift Guides
Be the News
Fans, Followers, and Friends: How to Maximize and Monetize Social Media
Creating "Bestseller" Status to Enhance Your Business and Brand
How to Get Your Book Into All Types of Stores-Internet, Book, Retail Stores and more
Matthew Bennet's: "How I Sold Millions of Books"
Make Your Book a Bestseller, Make Big Money, Make a Difference

The summer is a great time to learn, whether it's reading a book on craft, or taking a workshop or online course. How are you learning this summer?

Seven Free Downloads from Writer's Digest

In the current economy, it really helps if you don't have to pay for everything. So I thought I'd share some finds from the Writer's Digest website. You don't have to subscribe to the magazine (which is wonderful, by the way) to take advantage of their website offerings. Here's what I found:

If those aren't enough, I've listed more free things from Writer's Digest in a previous post.

Note that these are .Pdf files. Hope you enjoy them!


Pet Peeves: Don't Let Frequently Used Words Get You Down

We all have them. Pet phrases or words that crop up like weeds in our manuscripts. I use Scrivener software to write, and one of my favorite features lets me check my word frequency. If you haven't been won over by Scrivener yet, there are a couple of other websites that will help you target overused words and phrases.

I found two free sites that help with finding frequently used words. WordCounter is an application that will search for the most frequently used words in a body of text. You copy and paste a section of text in the box, and hit "go". The user chooses whether or not to include small words like "the" and "and". Withing seconds, the site generates a list of the most-used words, beginning with the most highly used.

While the site is not capable of handling large documents (like an entire novel), I pasted an entire chapter. My most frequently used word was one I wouldn't have guessed. Time for a couple of tweaks.

The second site is similar, but this one tracks the overuse of phrases. WriteWords will identify recurring phrases in a document. The user chooses whether these are two-word phrases, or up to ten-word phrases. This was really helpful for me. Some of my phrases are used several times because it's a part of my character's speech pattern, but other times, I just didn't think of a fresh way to say something.

If you're a more visual writer, you may enjoy checking your word frequency in a more artistic way. Wordle is the tool for you. It's amazing how many free tools are out there for writers to use. Check back next week for a great way to find cliches in your writing.

Did you find some overly-used words? What other tools do you use to keep your writing fresh?

Need Help Researching Your Book? It's Time to Bring in the Experts

Wouldn't it be nice to have an expert on speed-dial? Someone to call when the realization hits that you don't know everything?

With the magic of the internet, an expert is just a click away. Say you're writing a novel where the characters head out on an African safari, and you're stuck in New Jersey. An expert can help with that.

If it's a science fiction novel, you may be fuzzy on string theory or interplanetary travel. There are scientists who'd like to help.

Even freelance writers can benefit. Maybe that article on separation anxiety needs a sound byte from a professional. All you have to do is ask.

I've collected some links to sites that will help answer all those questions and more. 

This site was started by a journalist who was blessed with lots of contacts. The downside was that so many people contacted him to ask for referrals to experts, it became too time consuming. He started the site to connect writers with experts. You can ask for expert advice, or even become one of the more than 100,000 experts. Top media outlets use this free service.

This website is a collection of professional communicators, from researchers to analysts to government officials. Users can search over 30,000 professional profiles to find the expert they want to contact.

Another site, boasting thousands of experts on a wide range of topics. Need someone well-versed in geography, decorating, or cartooning? They're here.

Here, you'll find as series of links to other sites with professionals of all varieties. Did you know you could ask your word questions directly to the Oxford dictionary folks?

This site is similar to Library Spot, but with different links. Check out connections to attorneys, musicians, even specialists in etiquette.

These sites are just a start--the internet is a huge place. Do you have any go-to resources for research?

Book Review: The Renegade Writer: A Totally Unconventional Guide to Freelance Writing Success

Most of us here are fiction writers, but novels and short stories take a long time to pay the bills. Enter freelance writing. Magazine articles take relatively little time to research and write, compared to a full-length novel. But articles are a different animal.


The Renegade Writer: A Totally Unconventional Guide to Freelance Writing Success helps writers navigate the "rules" of the freelance writing world, and even gives advice on when to break those rules. Ten chapters and twelve appendices give you the confidence you need to approach magazine editors with your ideas.


The authors, Formichelli and Burrell, also run a popular blog for freelancers. Posts like 5 Tips to Finding Story Ideas That Sell, and 11 Tips for Getting the Most Out of Writer's Market give writers an edge.


Also available on the site is a free packet of successful query letters to give writers an idea of what magazine editors expect. The authors also offer a free teleclass each month. The current class is titled, Using Fear As Fuel When Writing or Querying.


Conventional freelance advice says writers should start by penning articles for small, regional magazines and work themselves up to the "big" jobs at national magazines. Formichelli and Burrell offer "unconventional" tips to help writers climb the freelance ladder more quickly.


Some novelists can't imagine what topics they would write about, since their minds are immersed in their fiction. Consider the hobbies of your characters, the location where your story is set, or the time period that fascinates you. Chances are good that there are magazines serving readers with the same interests. And down the road, these same readers may be buying your novels.


Have you considered writing for magazines?

What is Copywriting? Find Out in a Free Webinar from American Writers & Artists, Inc.

Did you read an email ad this morning? Listen to a radio advertisement or TV commercial? Those words were written by copywriters


Copywriting (not to be confused with copyright, as in the rights to someones words) is basically writing to promote a business, a product, or an idea. It is a type of freelance writing. Copywriting touches us every day in magazine and newspaper ads, website content, brochures, radio and TV scripts, press releases, letters and mass mailings, even billboards. As a writer, you have the opportunity to learn how to earn by copywriting. It's a great way to help pay the bills while you're on the road to publication.


To be a good copywriter, you must work to develop these qualities:


Be creative. Dull copy won't draw in customers. Copywriters must paint a picture of the product or service that catches the consumer's interest.


Be concise. Copywriters usually work within a tight word limit. Being able to get to the point quickly, yet creatively is an art. Not to mention, there is usually a quick deadline.


Aim for conversion. Conversion is the term for action on the part of a consumer. The person who scans a web page, and then clicks the "buy" button, has been "converted", meaning the writer has convinced them to take action. This calls for compelling writing.


Excellent copywriters make large salaries, but even entry-level copywriters can look forward to a paycheck. Sites like Elance and Odesk list companies looking for copywriters.


If you're interested in learning more about whether copywriting is for you, American Writers & Artists, Inc. is hosting a free webinar to give writers more information.


CopyBlogger lists 10 Steps to Effective Copywriting, along with many other resources.


Here's a link to a series of Free Copywriting Tutorials.


And even more resources from CopyWriting.com.


Do you think copywriting might be for you? 

Writing Rules are Just Tools, by Rachelle Gardner

Of the many blogs in my reader, agent Rachelle Gardner's is one I read every day. If you are a writer on the path to publication, her blog Rants and Ramblings is one you should consider keeping  up with. Gardner educates writers on the publishing industry in an easy-to-understand way, and she encourages writers on what seems like the never-ending road to publication.


Last week, in the Show, Don't Tell post, the question was asked: Why can published authors get away with breaking the "rules" of fiction. This post from Gardner answers the question far better than I can.


Writing Rules are Just Tools by Rachelle Gardner


If you’ve been studying the craft of writing for long, you’ve heard all the “rules.” You know that you’re supposed to show not tell, use active not passive verbs, eschew adverbs, maintain consistent POVs, avoid repetition, and all the rest.

But it’s easy to get too caught up in the rules and get frustrated at trying so hard to follow them that you find your creativity stunted. In addition, some writers are actively resentful about the rules, feeling like the Writing Establishment is trying to keep everyone in a little box and not allow writers’ artistic visions to shine through.

I just want to share a few thoughts about writing rules. First, they’re not meant to be slavishly followed. They’re meant to be thoughtfully considered and used when appropriate.

Second, the time to apply “writing rules” is usually not in your first draft. That’s when creativity reigns. Only think about the rules in your revision process. Writing is more a creative, right-brain process. Editing and applying rules is more a left-brain process. Try not to get your brain too confused by doing both at once.

Third and most important, writing is not ABOUT the rules. The rules are just TOOLS to help you write effectively. The goal in writing is to engage your reader, draw them in, make them want to keep turning the pages, whether you’re telling them a story or giving them information. So writing rules are simply the means of helping you do that.

The only time “rules” ever come into play is when you or your editor recognizes that something’s not working. Maybe the book is getting boring, the characters don’t feel believable, the arguments in your nonfiction work are falling flat, the reader isn’t engaged. It’s pretty easy to identify what’s wrong. However, figuring out how to fix it—that’s where the rules come in. Rules are a means of identifying how to fix a problem so that the reader remains engaged.

The only reason to maintain consistent and strong POVs is to keep your reader deeply involved with your characters. The reason to show not tell is to keep your reader’s imagination active, keep your story alive and visual in their mind. Each of the rules serves a purpose – it’s a tool to help you create a written work that others want to read.

So whenever you get frustrated by the rules, or can’t figure out why or ifyou should follow a rule or break it, go back to the reasons behind the rules and ask yourself: Does following this rule strengthen my work? Can adhering to a rule make my manuscript more readable and enjoyable? Do I know enough about the reasons for the rules to effectively break them?

By going back to the purpose of writing rules, you can save yourself frustration, and focus instead on the goal: powerful and engaging writing that people want to read.

Q4U: What’s your opinion of “writing rules”? Do you find them challenging, helpful, frustrating? How do you decide when to break them?

Making Money from Your Writing

I'm driving right now from Colorado to Mississippi, taking my oldest daughter to college for her first year. Her major? Creative writing, of course! Today's entry is a repost of a popular post from several months ago.

 One of the most frustrating things about being a writer is that you spend hours and hours at your computer, and you feel like you have nothing to show for it. It's hard to justify time away from your family and friends when there's no paycheck waiting, and no boss looking over your shoulder.

In the years leading up to publication, you want to leverage your writing in to something that pays, even if it's not much. And it can't hurt to collect some publishing credits. Here are a few ideas you can try.

Online Freelance Writing
Several sites allow you to sign up as a freelance writer. A buyer posts a project, and writers bid on it. Whoever wins the bid does the job. I've worked for Elance for a year, and it's been a good experience. Elance holds the money in escrow, and when the job is done, the payment is made immediately. I can't speak personally about the other companies, but Elance is very professional.


Magazine Writing
There is a periodical for every niche in the world. Do you like fly-fishing, and sometimes fish in Canada? There's a magazine for that. Do you know anything about cheerleading in the USA? There's a magazine for that, too.

How do you find out what they need? Start with the magazines you already subscribe to. The big ones, like Woman's Day, or Better Homes and Gardens, are tough to get into without a track record. But smaller, regional or specialty publications need a steady flow of articles all year long. Check out the website of the magazines you get, and look for "writer's guidelines" or "submission guidelines".

If you have expertise in any area--from your career or you hobbies--do a search to find which publications cater to others with that interest. Look for regional publications like parent magazines and local tourist "newspapers".

Subscribe to free newsletters that post lists of freelance opportunities. Here are a few that I receive:

Check out my earlier post with more freelancing ideas here.
Terry Whalin has an article on 7 Ways to Write for Profit on the Internehere.

How have you made money from your writing? Post a comment to let us know. And check out 9 Ways to Make Money From Your Writing.

Book Review: Love is a Flame

This is a special book for me, because it represents my first publishing credit. Love is a Flame: Stories of What Happens When Love is Rekindled is an anthology, and the first one I ever tried submitting to.


I nearly didn't. The deadline was back in January. I was swamped with preparations for a writer's conference I was heading to in New York City. The little voice in my head said, "It's time to take some things off your plate, and this is one of them."


But one day, I came across something I had written to myself last year. Our family had been going through some difficult times, and I jotted a note telling myself not to forget everything that had happened, and how it all worked out. I realized that writing down the story would, at the very least, be a record for my family and I.


So I spent an hour or two writing the manuscript. Edited the next morning, and sent it off. I was more than surprised to get the email that my story was one of those selected.


Here is the summary of the book from Bethany House Publishers:
Happily ever after. Does it only happen in fairy tales, or in real life? Over the years love may burn strong and steady, but sometimes it grows cold. However, it can be rekindled--and these stories show how. Be inspired by true accounts of how love was revived and renewed.

You'll discover that love can grow stronger and burn brighter through the years as you read more than forty stories from everyday people like
  • Jan, whose marriage was restored despite adultery.
  • Marsha, who fought pornography and won.
  • Bryan, who realized his family, not his career, was his most important responsibility.
  • Emily, who learned that real love overcomes unrealistic expectations.
  • Jeff, who went from dissatisfaction and boredom to falling in love all over again.
    The true stories in Love Is a Flame will warm your heart and show you how to create a new spark in your marriage and build it into a glowing flame.

    I can't give a comprehensive review yet, since I haven't received the book. But once it comes, I'll give you a more detailed review.

    You can find out more about writing for anthologies here. The editor of Love is a Flame is no stranger to anthologies. James Stuart Bell has edited quite a few collections of stories, including Cup of Comfort. He  also coauthored many books in the Complete Idiot's Guide series.



    So think about trying an anthology. The worst that can happen is ending up with a story you can sell elsewhere, like a magazine. And you'll still end up with a publishing credit.



    Writing for Anthologies

    It seems like a pre-published writer's merry-go-round. No one is interested in publishing your writing until you have more writing credits. But to get writing credits, you have to convince publishers to take a chance on an unknown. It's enough to make a writer dizzy.

    There are several solutions to the writing credit dilemma. One is to query magazines, submitting article ideas that fit the magazine's scope. If you start with smaller, regional magazines, you can build a collection of writing credits (also called 'clips') that can give you the clout you need when approaching bigger markets.

    However, the query process is slow, and you may be itching to get published more quickly. Enter the anthology. Quite a few publishing houses print anthologies on various topics each year. As a result, there is a demand for stories to fill these volumes.

    The submissions are usually short, from one thousand to a few thousand words, and the pay is small (often between $25 and $100, and a sample copy of the book). So don't look at these as a big moneymaker. The real treasure lies in publication.

    Read the fine print. Anthologies have a submission process similar to a writing contest. It's important to follow the manuscript guidelines to the letter, and submit before the deadline, if you want to have a chance of success.

    Find extra pairs of eyes. It doesn't matter if your aunt is an English teacher, or your college-age daughter scored an 'A' in composition. Get several non-family members to read over your submission. This is a job for a critique group who won't just pat you on the back, but who will challenge you to make it better. You'll be up against dozens, if not hundreds, of other writers. Spell-check is not enough.

    Embrace the online calendar. If you start submitting to more than one anthology edition, it can get confusing keeping track of deadlines and topics. Break each deadline down into bite-size chunks: story outline, first draft, send to critique group, etc. Place each task on a specific day in your online calendar, and be sure your calendar emails you to remind you of your deadlines.

    Don't give up. If the story you wrote for Chicken Soup for the Soul is not accepted, don't despair. Save that story in your anthology file, and check the folder from time to time. You may discover that another anthology has a similar call for submissions six months later. Or you might be able to tweak the story for a magazine or other market.

    Ready to try? Here are links to the two biggest anthology markets. Check back with them often, as they add new calls for submissions frequently.

    Chicken Soup for the Soul


    Cup of Comfort


    For more markets, check out the post on Duotrope Digest, a free service that helps you locate markets, and keep track of your submissions.

    And check out this great article from Writer's Digest on the value of writing for anthologies.

    The Power of Ten

    Since today happens to be the tenth of June, let's celebrate by rounding up some excellent writing articles that each give ten pieces of advice. Nice bite-sized chunks.

    Why do we like lists like these? Maybe because it seems more manageable than say, 37 things to remember. So here they are.

    From Holt Uncensored, we have Ten Mistakes Writers Don't See (But Can Easily Fix When They Do).

    Writer's Digest gives us an excellent list in 10 Disciplines for Fiction Writers.

    Author and Editor Mary DeMuth spells out 10 Common Writing Mistakes she sees as she works with her writer-clients, and her wise take on What It Takes to Become a Master Writer.

    On Wordpreneur, Steven Barnes, author of twenty novels, explains Writing 20 Novels (in 10 Easy Steps!).

    Professor Old Silly gives us 10 Ways to Keep Your Prose Strong and Simple.

    For those anticipating getting published in the future, new author Gina Holmes shares 10 Things You Can Do Now to Promote the Novel You Haven't Even Sold Yet.

    And though it breaks my string of articles about the number ten, I think all the writing moms out there can appreciate the Routines for Writers post: Over 30 Ways to Keep Kids Busy So You Can Write.

    Have you come across other writing posts with the power of ten? If so, feel free to post a link in the comments.








    The Writer's Voice: What Is It Really?

    Reviewers sound so enlightened when they say it, "This writer has a unique voice." But for emerging writers, it can be frustrating. They wonder, "What is voice, and how can I get one?"

    The best explanation I've found is in the wonderful book Manuscript Makeover: Revision Techniques No Fiction Writer Can Ignore. In it, author and writing teacher Elizabeth Lyon explains what many editors and agents find difficult to describe, since the words "style" and "voice" are often used to describe an author's writing.

    A quote from Lyons:
    "Style is based on "wordsmithing", choosing and tweaking words to create the desired effect and to fit a character and genre. Voice is the author's natural use of language to create authentic and original characters and unique storytelling. More simply stated, style is the outcome of voice, more so than vice versa."

    Lyons gives several examples where different styles of writing about the same object sound vastly different. Picture an old rusted car. Now imagine three writers describing the same car. One writer is an inner-city gang member, another is a wealthy Englishman, and a third writer is you.

    Will the specific vocabulary vary in the three descriptions? Quite a bit. Each voice will have a distinction of its own. (This is one reason writers rarely need to worry about someone "stealing" their idea. Even if someone nabbed a copy of your novel outline, your voice is what makes your story completely unique.)

    I've collected a few good articles that will shed more light on the voice issue:

    Agent Nathan Bransford explains How to Craft a Great Voice. (For more on Bransford, click here.)

    Agent Rachelle Gardner tells what voice isn't, and what it is in The Writer's Voice, and she shares the difference between Craft, Story and Voice. (for more on Gardner, click here.)

    Musician Heather Goodman gives three exercises for writers to use in finding their voice in A Musician Looks at Writing.

    And lastly, amazing 16-year-old writer Tessa shows she's wise beyond her years with her prescription in Have You Lost Your Writing Voice? Excellent advice.

    Free Resources from C. Hope Clark

    I'm excited to introduce you to C. Hope Clark this week. She is one of the most generous writers I know, spending who-knows-how many hours giving away valuable information to writers around the world. Maybe I'll develop a "generous writer" prize someday. If so, Clark would be the first winner.

    C. Hope Clark's website, Funds for Writers, contains a wealth of information. Make sure to bookmark it, because you'll need to come back and browse more than once.

    One of the things that Hope spends time on, is locating writing contests, grants and submission guidelines for magazines, so that you, the writer can get down to the business of writing. With the information she gathers, Hope writes not one, but four newsletters, plus a blog.

    Funds for Writers Newsletter is a free online newsletter highlighting markets that pay $350 and up.

    Funds for Writers Small Markets Newsletter is also free. It contains markets that pay less than $350, but they all pay something. If you're just starting out getting publishing credits, these sources are a good place to start.

    Writing Kid Newsletter is a free newsletter for kids in elementary grades through college. If you know a kid who likes to write, what better motivation for them than actually getting published? Like Hope, I'm passionate about passing on a love of writing to kids. I've recommended her newsletter for years when I teach creative writing.

    Total Funds for Writers is Hope's fee-based newsletter. It's a steal at $15 for 26 issues, all with different information from the other newsletters, and the highest paying markets.

    Sign up for any of these newsletters at Hope's website. You can also read the archives online.

    On Hope's blog, she shares more information on grants, contests and markets. Her blog information does not duplicate the newsletter content, so be sure to check it often. She also shares her perspective on different issues in publishing.

    A novelist herself, Hope was a finalist in 2009 in the Amazon Breakthrough Novel Competition, and was a finalist for the RWA Daphne du Maurier Award for Excellence. She also writes ebooks and has a huge number of writing credits in print and online. C. Hope Clark is one busy lady with a big heart for writers.

    Writer's Groups: Absolute Write

    Our next writer's group is a very active one. Absolute Write is called "the one-stop home for professional and beginning writers". It doesn't matter if you write fiction or nonfiction, or if you do screenplays, freelance writing or copywriting. You'll find what you need at Absolute Write.

    On the website, you'll find a blog with articles about all kinds of writing, plus information on editing, agents, and what is going on in the market. There are links to classes you can take (for a fee), and a list of recommended resources.

    But by far the best part of Absolute Write are the forums, called the Water Cooler. This is a highly active online community of writers and publishing professionals who gather to talk about everything related to the written word. And it's free.

    You don't have to register to read the forums. But if you plan to post a response, here's the link to register.

    The Water Cooler has threads on numerous types of fiction and non-fiction writing. Other threads cover different genres, publishing topics, the specifics of freelance writing, and many more. Interested in flash fiction, song writing, or just brainstorming your new story idea? You'll find it at the Water Cooler.

    If you're curious about the published works by Absolute Write members, you'll find them listed by genre in the AW Library.

    Writer's Groups: Newbie Writers.com

    It's really nice to belong to something. Especially if it's a group of like-minded folks who think about writing more than is healthy. It is quite likely that your family and friends are tired of hearing you talk about your characters and plot, so why not find a group of people who can't wait to hear about it?

    Enter the Newbie Writer website. This is a place for writers of all genres to gather, learn, and share with each other.

    If you sign up for the free Newbie Writer Newsletter, you'll receive a free ebook, The Newbie Writer's Resource Guide.

    The Forums page is where you might want to explore a little. Here, you'll find threads on all the topics writers are interested in: How To's, Calls for Submissions, Writing Prompts, Review, Q&A, and just writers talking about whatever topic they enjoy.

    You may want to check out the Newbie Writer's Blog, which you can find here.

    Dawn Copeman, who began the site, keeps an ever-changing list of writing prompts here.

    In the Resource Section, you'll find reviews of writing books, and a list of online courses--several of them free.

    On the Learn the Craft page, there are links to sixteen different articles for fiction and non-fiction writers.

    And for you freelancers, the Jobs for Writers page has a great list of resources for you to find more writing jobs.

    My Favorite Writing Program

    When writers write, it's not just about the words on the page. Many of us collect pictures of our characters and storyworlds. We have links to videos and webpages from the research we've done. And we have all kinds of documents to keep track of--previous drafts, already-critiqued chapters, and downloaded research files. No matter if it's fiction or non-fiction, we are trying to keep track of so many pieces of information, that it's sometimes difficult to manage. And then write, of course.


    So, I thought I'd tell you about my favorite writing program. It's not free, but it's not expensive, and you get to try it for free for a while. It's called Scrivener. The name comes from a word meaning "scribe", and it has become my favorite way to write.


    Sadly, for you PC folks, it's a Mac-only program, but don''t despair. The Scrivener website has a list of PC programs that have some similar features.


    Organization
    Imagine your writing room has a giant corkboard. You have room to tack up index cards for each of the scenes or chapters in your book. You post all the pictures that inspire you to write, and run strings of yarn between the pictures and the scene in which those characters appear. Use more tacks to attach the various pages of research files and previous drafts, and you might feel inspired--or overwhelmed.


    Scrivener does all of this on your computer screen. You've got actual-sized index cards on a virtual corkboard. Give each one a title, and write in a summary of the scene. Is this scene in the point of view of your female protagonist? Change the tack color to pink. If the next scene is in the male protagonist's point of view, you might choose a blue tack. At a glance, you can see if you might have too many scenes in one point of view. I can also drag any card to another spot if I choose to rearrange my scenes.


    Inspiration
    Since my current novel is set in a real place, I've got many photos of my storyworld (you can see a few of them here). I've also collected photos of my characters. Not only can I keep these images in a file within Scrivener, I can attach any picture to any given scene.


    Let's say I'm writing a scene set in a particular castle, with two of my main characters. As I'm writing, those pictures are enlarged on the side of my screen to inspire me.


    Memorization
    There often is a scene in which I want to make some significant changes. But I'm not really sure they'll work. Scrivener allows me to take a "snapshot" of that version of the scene. Then I go ahead and make all the changes I want without worry, because I can always revert to my earlier snapshot. I can even compare the two versions side-by-side.


    And Much More
    Scrivener allows you to keep track of your word count, even if you've added words to many different documents in your project. It identifies the words you use, and you'll be able to see at a glance which words you may have overused. Scrivener will estimate how many pages your project will have in paperback and hardback. And to help you focus, you can black out your entire computer screen except for your document and photos.


    If you'd like to read testimonials from published authors (both fiction and non-fiction) who use Scrivener, go here.


    Check out these video tutorials so you can see how Scrivener looks and works.








    Time Management: The Pomodoro Technique

    Imagine a clock ticking. Tick, tick, tick. Somehow the sound reminds us of time bombs and deadlines. However, an ingenious author has come up with a way to take the stress out, and replace it with productivity.

    In the last month, I've posted twice about time management. One technique disables your internet (temporarily), and the other gently threatens you to keep typing. Francesco Cirillo has come up with quite a simple technique, and it's working well for me.

    The Pomodoro Technique is not a piece of software, it's an idea. The idea that you can make yourself do even dislikable tasks, if you only have to work for 25 minutes and have a 5-minute break to look forward to. The name comes from the timer he first used when he tried this technique: a tomato-shaped kitchen timer. Pomodoro is Italian for tomato.

    I first heard about the technique on Susanna Fraser's blog. Carillo is generous enough to give away free downloads of his ebook, which explains the idea in detail, and gives troubleshooting tips (like what to do in the case of internal and external distractions).

    Coincidentally, the same week that I read Susanna Fraser's blog, I also received Randy Ingermanson's monthly writing newsletter, where he explains a very similar technique (this one uses 50-minute work blocks and 10-minute breaks). It's in the April issue. Randy has an excellent blog, and if you're not signed up for his newsletter, you might want to find out why over 20,000 other writers have done just that. Randy is also the coauthor of the wonderful Writing Fiction for Dummies book. I own an increasingly dog-eared copy.

    When I tried the 50-minute work block, I found I was able to write over one thousand words before the timer went off (Randy Ingermanson shares a link to a free downloadable timer that worked well for me). If I completed only two of these "pomodoros" every day, in one month I will have completed 60,000 words. Think about what the Pomodoro Technique might do for you.

    If you try it, leave a comment and share how it worked.

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