Showing posts with label Self-Publishing. Show all posts
Showing posts with label Self-Publishing. Show all posts

Sample of The Unspoken


This is Chapter 1 of The Unspoken, an exclusive novella for my newsletter list.
Coming June 2020. Enjoy!


Hiding is the surest way to be found out.
~The Traveler

The sailor spotted her behind a weathered barrel on the deck, hunched small on a rolled piece of canvas. 

Ionna caught her breath, skin prickling. She gripped the staff in her hands so tightly blood pounded in her fingers. The staff could serve as a weapon if need be.

The sailor’s skin was dark everywhere. Darker than the ebony trees in the forest near her village. His tightly-curled hair was graying along with his beard, surrounding a face full of crisscrossing lines that reminded her of parched earth. The man’s cracked lips moved, revealing crooked, stained teeth and gaps from teeth lost in his rough sea life. Ionna analyzed his posture and expressions. Was he threatening or kind?

Before she started her journey she had imagined the dangers for a woman traveling alone, but the past days had taught her how naïve she was. 

And now, after a day and a half aboard the rocking ship, terrified to interact with these wild men, her thirst was formidable, cleaving her tongue to the dried husk of the roof of her mouth. She yearned for cool water to wash her parched throat. She had hoped for rain, but the faeries her people prayed to had not answered. At long last, in desperation, she had lapped at a puddle of seawater pooled on the deck. Her stomach retched and she spat out the bitter saltiness. The sailors had laughed at her with their hard, closed faces, violently contorted lips, and hungry eyes. She imagined their grasping hands—and she had found this spot to hide.

She looked warily toward the sailor. He was still there.

She slid farther away, her back connecting with the side of the ship.

He held something shaped like a small cup, nodded at it, then pointed his chin at her. His lips moved again. His eyes were dark like his skin, and they crinkled at the corners. Could she trust him?

This water might be the same as what she tasted before. Perhaps this man was tricking her, only to laugh as the others had done. Or he expected payment. Payment in coins she no longer possessed—or payment in terms rough men seemed to expect in this strange world.

She used to long for the mysteries of the world outside the forest. Now she wasn’t so sure.
The grizzled sailor held the cup to his lips and tipped his head back, then licked a drop of water from his lips. He winked one eye and set the vessel on the deck near the barrel she’d hidden behind, and took a step back. 

She hesitantly grasped the cup, surprised at the material of its construction. Gray in color like the heavy clouds, cold like stone on her fingers, and somehow moist—as if the liquid inside had found a way through the cup’s very walls. Her worn, wooden cup at home in the forest seemed very far away. Her fingers identified bumps on the sides of the cup where it had been roughly handled. She peeked at the sailor. His storm-gray whiskers sprouted in all directions from weathered cheeks. Grizzle would be a good name for him, if he deserved a name.

Ionna took a deep breath, then a tentative sip. The water tasted flat and stale and faintly of oak. But not salty.

She started to gulp the rest, but a staying motion from ‘Grizzle’ reminded her to slow down. 
She finished the last of the water and handed the cup back to Grizzle, with what she hoped was a grateful expression. He crinkled his eyes at her and moved his lips some more.  He passed the cup back to her, seeming to indicate it was hers. She slid it into a patch pocket on her skirt.

He brought her more water and a few pieces of hard cracker-like bread. Grizzle sat near her for hours. Through the heat of the sun poking between the clouds. Through the autumn leaf-colored rays as evening began. Through the apparent taunts of the other sailors, judging by their expressions and waving lips. He didn’t even seem bothered by the swirling tattoos beside her right eye. Apparently, women outside the forest wore no facial tattoos. How did they identify the differences between women? 

Later, Grizzle showed her the wooden barrel where she could dip her own water, and she realized the reason for the oak flavor. Of course, there was no forest stream here in the midst of the briny sea.

Ionna stood to stretch her stiff legs, gripping the rail with one hand and the staff with the other and looking over the waves. Over the last few days, she had occasionally glimpsed an island or hint of land in the far distance. Too far away. A fear of falling from the ship and drowning in the bracken waves roiled her belly. No one else seemed to be plagued with the same apprehension. She longed to hold onto the mast—the only structure similar to the trees of her forest—rather than venture near the rail of the vessel. But that would keep her near the other sailors.

Grizzle stood at the rail a few feet away—far enough to seem non-threatening—whittling some bit of wood with a short blade. The creases in his fingers and his fingernails seemed permanently stained darker than his skin. He glanced over at her, his lips breaking into a lopsided smile, and she wondered if she dared listen for his thoughts. Just to see if she could hear him.

At home, her people spoke not with lips but mind to mind. They heard not with ears but within their spirit. But since she left Lika Forest, she had never dared to reach out with her mind to listen to what a stranger tried to communicate with their flapping lips.  

Could she risk Grizzle’s awareness at what might seem like spying? Collect his thoughts before they poured out through his mouth?

She sent a tentative tendril of listening thought in his direction. Searching. Seeking. And then—the words smacked into her like a rogue wave. She was nearly bowled over by the intensity and volume of his thoughts, unlike the calm, steadiness of the men at home. She gripped the rail and staff tighter to still her mind.

…the sea be my mistress and I be hers. 

His lips seemed to move along with his thoughts. She should watch these lip movements more.
Grizzle readjusted the smoky pipe now clenched between his blackened back teeth. He pointed his blade at the shining fish swimming alongside the ship, leaping from the water over one another’s backs. 

Them be shad. Always show up when we pass through the channel. Means only two more days, if the sea stays calm.

Two days. She slid her hand down the surface of the intricately carved staff, every swirl and knob long since memorized. Did she have a chance to find the Traveler before he moved on? She felt a flush rise from her neck and hoped the loosened tendrils from her braid whipping about her face kept the sailor from noticing.

She closed her eyes and let Grizzle’s words trickle past her mind in a stream. She hadn’t realized how starved she was for communication, how lonely. It seemed impossible that only ten days had passed since she slipped away from home. Since she last mind-spoke with her family. Were they worried? Did they understand why she had to find the Traveler?

And ten long days where she had denied herself the temptation to seek out the words people spoke to her. Unsure and afraid, she relied only on hand gestures and expressions. And in return, most people treated her like the deaf-mute she was.

When Ionna had first stepped from the safety and familiarity of the forest and into the first tribe she met, her knees locked together and she could not have stirred, even if a swallow hole had opened beneath her feet. People moved everywhere, it seemed. Dressed in somber colors, so different from her colorful blouse and skirt, their patched and ragged clothes indicating hard workers who rarely took a moment to rest. Some pushed small carts or led animals that pulled conveyances loaded with dried grass or cut pieces of wood. Their hair was not only black like everyone in her tribe. She marveled to see the brown of tree trunks, the red of fox fur, the fawn color of a deer, and even a color like sunshine represented on their heads and beneath their hats and kerchiefs.

But most peculiar was the way they turned to one another. Opened their mouths. Lips twisted and smacked, tongues dancing inside. With each movement, their expressions changed. Somehow this tribe communicated in a way she had never seen. She had heard the tales from Petar, but they seemed impossible.

Despite her loneliness, her heart burned with purpose. She had never longed for the burden placed upon her in the forest, but finding Petar was different. She looked up at the sailors swarming over the rigging.

Grizzle’s thoughts invaded again. I know them sailors look like ants on honey, but they know what they’re about. Havin’ a purpose—I didn’t understand till I was taken from my home—there’s a satisfaction in that.

Ionna wanted to roll her eyes. Grizzle sounded like her grandmother. Her only purpose was finding Petar. Finding her place with him.

The wind picked up and the ship dipped into a trough between waves, sending spray into her face. She closed her eyes against the salty moisture, readjusting her grip on both the rail and the staff. But behind her eyelids, she saw the Traveler—Petar—his broad shoulders encased in a fitted deerskin shirt and dark leather vest, a worn oiled cape folded over his arm, and this very staff in his hand. His leather breeches tucked into knee-high boots, nicked and scratched from his many adventures. As she listened to his thoughts, he would shake his shaggy light-colored hair from his brown eyes, dispensing a favored nod or wink from time to time.

How many hours had she spent sitting around the fire with the others of her tribe—young and old—sitting at his feet, soaking in the stories of his travels around the world? Her tribe never left Lika Forest; all of them were hungry for a glimpse of places they would never see. 

Petar told of people who spoke mouth to ear, and never with the mind. Of cities with untold thousands who lived, strangely, on the very ground. Of vast areas of sand with no trees, and untold expanses of water, where one could no longer see land. Each story seemed like a faerie tale. If only she could see if the stories were true.

And here she was, embarking on a journey much like the Traveler. If she found him, would he be proud of her? Grateful to be reunited with the staff he had left behind and the information she brought? Perhaps, just perhaps he would understand that she longed to keep him company on his search. Perhaps he would invite her to join him as a partner. A friend. 

And perhaps even more. 


7 Tips for Marketing Your Indie Book

Publishing on your own is a big job--authors are not only responsible for writing, but all the editing, cover design, layout, and back cover copy. And then there's marketing.

Some writers have natural gifts for marketing. Others struggle to make the shift between writing and promotion. I've collected seven helpful posts that might make things a little easier.

Reviews
Reviews are a huge part of marketing. Many authors join sites like Goodreads (recently purchased by Amazon) to connect with readers. But if your book is an indie (self-published), it's sometimes difficult to find readers willing to post reviews. Empty Mirror lists ten ways to find reviewers for self-published books.

Buy Buttons
Your book is live on Amazon, and everywhere else. You've got a website set up. Now it's time to let readers purchase books from your site. I never knew how many potential problems could crop up with a 'book page' on a website. Thomas Umstattd is about to solve them all. He's created an easy way to add attractive buy buttons to your site, while still participating in affiliate programs. Imagine, getting paid twice for each book purchase. Right now (for just a few more days), he's running a Kickstarter project, where donors can receive discounts on the product. It's called My Book Table.

Kindle Direct
The Kindle Direct Program at Amazon can give books a much-needed boost at any stage of the marketing game. However, Amazon changes things from time to time. Check out what Lindsay Buroker has to say about what's working (and not working) right now at Amazon.

Kickstarter
If you haven't heard of Kickstarter (and others like it), it's time to check out what this site can do. This site is crowd-sourcing at its best. Worthwhile ideas make money, the not-so-great don't fly (kind of sounds like publishing, doesn't it?) Thomas Umstattd's idea above has nearly tripled the monetary goal he set. But it's important to plan carefully, and learn from others who have traveled there before. One of those is Clinton Kabler, who lays out three basic steps to using Kickstarter for literary projects. He focused on several realities that are important to understand for a successful experience. And Chuck Wendig at Terrible Minds covers some typical misunderstandings with Kickstarter.

Readers
Most authors want readers. And sometimes the best way to find them is by giving things away for free. My post last week highlighted some of the positives and negatives of pricing books low or free. Joe Warnimont lists the reasons why direct email marketing has such a big impact, and how you can entice potential readers to sign up.

 If you're marketing already, what techniques have worked best (or not at all)?  When you become convinced to buy a book, what made the difference in your decision?
Photo courtesy of Stock.xchng

Free Publishing Teleseminar: get your questions anwered by three professionals




 You've heard their names before. I've blogged about them. Former publishing CEO Michael Hyatt. Uber-agent Chip MacGregor. Up-and-coming agent Amanda Leudeke.

Next Wednesday, April 10th, at 8pm Eastern Time, writers everywhere have an opportunity to participate in a free teleseminar with all three. It's called the Get Published Teleseminar.

The seminar is one hour long, and will answer many publishing questions, including questions on platform (which Michael Hyatt wrote a book about). Even if you can't make the meeting, sign up, and you'll receive an MP3 link replay after it's done.

When you register, you have the chance to ask any question you want--great if there's a few things you really want addressed.

If a writing conference isn't in your future, make sure to take advantage of workshops like these.

What is the publishing question you'd most like the answer to?

Self-Publishing Tips for Indie Authors

 These days, you can barely click a link without hearing something about ebooks, self-publishing, or indie authors. Along with all the other decisions and jobs a writer undertakes, this one is a big one. I still don't know which way I'll go when my manuscript is ready, so I figure it's a good idea to stay on top of what's happening.

And there's a lot happening.

A new title.
There's something new. Authors who start out putting their own book up for sale and later accepting print deals are now called 'hybrid authors'. Agent Kristin Nelson explains what's going on with hybrid authors.

One of those authors is Nelson's own Hugh Howey, the author of Wool. Nelson (and many other agents) courted him. A nice way for things to work out, right? Check out Howey's own account of how things went down.
 
Another author enjoying great ebook sales that led to a print deal is Jennifer L. Armentrout, with her book Wait for You. Forbes published an article on her, titled The Fast-Track to Making a Million Dollars from Writing Books.

A new perception.
There used to be quite a stigma attached to those who took on publishing themselves. There's still some stigma, but not like it used to be. In fact, indie authors are increasingly proving that they don't need publishers at all--or might accept them on their own terms. Check out this post called Self-Publishers: The New Generation of Cool Kids.


Even the Big Six (or five) are discovering huge sales in the ebook market. Lucrative electronic sales were documented by Publishers Weekly.


A new opportunity.

Many authors are discovering the benefits of publishing single short story titles and anthologies in ebook form. Author and writing teacher James Scott Bell promotes this idea. He's got a nice list of traditionally published books, but found extra money by publishing his short story titles. His article (which includes some great plotting info for short story writers) will encourage writers who have found little success querying literary journals. And speaking of literary journals, it was fascinating to read how one writer used an actual New Yorker story to query literary journals. His results are worth reading in The New Yorker Rejects Itself: A Quasi-Scientific Analysis of Slush Piles.

A new perspective.
Pricing ebooks remains a murky area. With hundreds of thousands of individuals making their own decisions, as opposed to a handful of long-standing publishers, there's a huge number of different ideas on pricing. One idea is to offer the first book in a series free, in order to entice readers to take a chance on a new author. Writer Jordyn Redwood examines this idea in Is Free Always Good? On the other hand, some authors believe that free or low-cost pricing devalues the product. Dean Wesley Smith makes some pertinent points on the subject in The New World of Publishing: Book Pricing from Another Perspective. Definitely worth some consideration.

So where do you fall? On stigma, pricing, perception, etc. Is the idea of going the indie route attractive to you? Have you already taken the plunge?






Free Resources from Author Alton Gansky



I'm all about free resources. And when I stumble upon an author who shares what they've learned, I like to share those tips with you guys. 

You may not have heard of Alton Gansky. He's published dozens of novels and non-fiction books. He has co-written more. He runs his own writer's conference each year. 

One of the things Gansky offers is 'Writer's Talk' interviews. He chats with other authors, agents, and publishers, giving writers great information they might only get at writing conferences. Check out his YouTube channel for the complete list.

But that's not all Gansky provides. He offers a series of screencast videos where he explains how he uses certain software, and gives other tips for writers. I love his voice, and his calm, teaching manner. Here are a few I found interesting:

Google for Writers: several different Google applications that make a writer's life (and research) much easier. Do you use them?

Pitching Agents & Editors: how to pitch your project in a conference setting--great principles if you're gearing up for a pitch session!

Organize your novel: Gansky explains how to use a free online application called Trello to keep track of your novel's details and structure.

What are page proofs? What writers can expect when they receive page proofs (also called galleys) and what to do with them.

Manuscript formatting: How to format your manuscript in standard form before sending it off to an agent or editor.

Tight Writing: helping writers to look for what clutters manuscripts and invites rejection. Have you ever heard of 'pleonasm'? You'll want to watch for it in your writing.

Kindle Singles: for writers with shorter works, great information on the hows & whys of loading them onto Amazon, and he also demonstrates another platform called Atavist, where readers can choose to read or listen to the book.

What authors do you rely on for writing information?

What authors need to know about libraries

Photo courtesy of Stock.xchng
 Whether you're aiming for traditional or self-publishing, libraries are one of your best friends. Where else will you get the kind of treatment you wish you got at the big bookstores? Open arms for a book reading? Or folks willing to not only read, but recommend your book?

It pays to develop a relationship with your local library. But it's also beneficial to understand how libraries work, so you don't accidentally step on toes. I've browsed and collected several articles that should help you navigate the world of the library.

The absolute best article I found was on Seekerville (an excellent group blog). You may not have pondered the advantages of having your book in the library. In fact, you might question if it's necessary. Read through the do's and don'ts of the library world for some eye-opening ideas. 

Fern Reiss goes into detail on five ways to sell more books at libraries. Her advice is not difficult, but I doubt I'd have come up with all of these on my own. Especially her tips on library-friendly website design.

Patricia Fry with Small Publishers, Artists, and Writer's Network (SPAWN) shares more insider pointers on selling to libraries, and includes multiple links to help you get started.

How to sell your book to libraries gives practical directions for authors to describe their book in a way that librarians will understand the benefits to their constituents.

And finally, here's a post from a librarian, explaining why they love your books: Hey Authors, Wanna Hear a Secret?
 
If you've sold books to libraries, leave a note in the comments sharing your experience. Have you tried doing a workshop or a reading?


I touched a 400-year-old book yesterday

An original King James Bible
I love old books. I have a whole shelf full of vintage books, and I even own a history book from the 1600s. But yesterday I had the opportunity to turn the pages of an original King James Bible, printed on Gutenberg's printing press in 1611.

The book is in amazing condition for its age. The cover was replaced, but the pages are intact and easy to read. Because the paper was made from cotton (like money), it lasts a lot longer than paper made from wood pulp.

Of the four bibles I saw yesterday, the oldest was printed in the 1500s. All these bibles came with a guarantee of being burned at the stake if you so much as looked at them. You can imagine what happened to the men who translated and printed them. Yup.

These historic books are part of a traveling exhibit of volumes that show bibles throughout history. Included in the show are pieces of of the Dead Sea scrolls and cuneiform tablets with Old Testament writings. Also shown are ancient coins, pictographs, medieval rabbinic scrolls, and even hand-written commentaries from Martin Luther.

The Bible Through History show will run in Colorado Springs at the Glen Eyrie castle from September 1-12, 2012. If you're in the area, it's a fantastic history lesson, and not just for people of faith. Imagine if your own self-publishing efforts put your life in danger.  
How motivated would you be to get your books into print?
The guide holding the 1500s bible. The King James is the largest one.

RWA Keynote Speech

 If you weren't one of the many who attended the Romance Writers of America conference recently, you might be interested in this keynote address by author Stephanie Laurens. She has generously posted her keynote and the accompanying powerpoint slides on her website.

Laurens' post, titled Weathering the Transition . . . Keeping the Faith, is a wonderful analysis of publishing today, and how it differs from the model in the past. She shares how there are actually four different avenues in the online publishing industry where stories are passed from the author to the reader. There used to be only one way the reader received stories from an author. Times are changing. 

Laurens also points out that of the list of authors, publishers, retailers, and readers, only two are absolutely critical. Can you guess which ones?

This transcript is a perfect read for those who are mulling over going the self-publishing route. Check it out and let me know what you think.

Gumroad: A New Way to Self-Publish

I love my dad. He often sends me links to websites that might be interesting to feature on my blog, and this one is no different. Gumroad is a brand new way to sell your content online, eliminating the middlemen (read Amazon and Barnes & Noble), and netting the author more in the process.

Created by Sahil Lavingia, a Pinterest designer, Gumroad is a no-frills, no-fuss way for entrepreneurs to put their products in the hands of their followers.

Gumroad hosts, takes payment, and delivers your product for you. Whether it's an ebook, a photo, or software. Any kind of digital file. Here's an example of a book for sale on Gumroad.

Gumroad gives creators the bulk of the money. The cost for using Gumroad is just 5% + $0.25 for each transaction. If you sold your ebook fo $2.99, you keep all but $0.40, which is immediately deposited in your PayPal account. There's no earning cap, or pricing restrictions.

Gumroad makes buying easy. It doesn't have a long form for buyers to fill out with their name and shipping address. Why collect all that information, when the product is sent via email. Check out how easy it is to make a purchase with this simulation. As Lavingia says in this interview, "I just want the online equivalent of handing you a dollar in person!"

Gumroad is designed to go hand in hand with social media. Having been so connected to social media already, Lavingia wanted to make it easy for creators to sell their products to those they were already friends with. Gumroad is intertwined with both Facebook and Twitter, making it simple to connect with those you already know. See how it works.

For more info, see the FAQ page, or this review on Wired.com.

What do you think about a new way to sell books? Do you think you'd give it a try?


The Waiting Game: From Writing to Reward-How Long Does It Take?

I'm enjoying a brief vacation in Breckenridge, Colorado. While I'm gone, here's a "post from the past" about the waiting game we all experience in some way. Have a wonderful week!

How long does it really take to get published? Once a book is finished, an agent is found, and that elusive publishing contract is secured, what kind of time-frame can you expect? And how is the wait different for a self-published author?

In the current economy, it's tempting to look at big-name authors and think, "I could do that." If money is getting tight for the mortgage, or a lay-off is looming, it may seem like a quick way to make some cash.

For money emergencies, freelance writing may be the best bet. See Making Money from Your Writing, and 9 Ways to Make More From Your Writing. Novel and non-fiction writing is for those who have the patience to wait for years.

I didn't know the answers to the time-frame questions, so I checked them out. Here are some links to help give writers a realistic picture of the process.

For writers aiming for traditional publication:

Agent Steve Laube shared very specific answers--including when to expect those longed-for paychecks.

Agent Rachelle Gardner has not one, but two posts on the topic. How Long? and How Long Will It Take? are her most frequent questions.

For writers planning on self-publishing:

The Small Publishers Artists and Writers Network (SPAWN) lists a very detailed timeline. There are lists to complete while writing the book, when almost finished, when editing, all the way to after publication.

Self-publishing guru J. A. Konrath compares the timelines of traditional and self-publishing. And this recent post is quite interesting: the story of a writer in despair who took Konrath's advice. In a few days (with Konrath's endorsement), Kiana Davenport's ebook, House of Skin, went from #134,555 to #10. Wow.

How about you? Are you ready for the length of time publishing can take?


Book Review: Let's Get Digital, by David Gaughran

Yesterday, while browsing Pixel of Ink, the website that keeps me up to date on free Kindle books, I saw Let's Get Digital, by David Gaughran. The subtitle intrigued me: How to self-publish and why you should. I started reading this morning, and decided others might benefit from Gaughran's information. If you've been studying self-publishing for awhile, some of the information may be old news to you, but other sections might be helpful.

In part one, Gaughran shares an overview of publishing. In these twelve chapters, he highlights why traditional publishing is changing, and how it benefits the independent author. Tagging on that, he answers the obvious questions about book piracy and the realities of actually making money on your own, along with addressing the myths of self-publishing.

Part two addresses the actual process of self-publishing. From editing, to cover design, to formatting, Gaughran covers it all. He includes advice on pricing, marketing, and social media, as well. Following his ten steps, you can get your book online for every available reader. He also links to a free guide to formatting your book.

The section I like best is part three. Here, Gaughran allows thirty-three self published authors share their own stories. Each one has seen varying degrees of success, and I really appreciate that Gaughran is not promising bestseller status to anyone who tries self-publishing. Whether published traditionally or not, there are no guarantees. But the stories are inspiring, and can give writers the nudge they need to persevere in whatever publishing path they've chosen.

Let's Get Digital is currently free on Kindle for a few days (normally $2.99), but the author is offering free copies to owners of other devices. It's worth a look. For more information from Gaughran on self publishing, check out his Let's Get Digital blog.

 I'm still on the fence about whether I'll try self-publishing, so I'm learning all I can about it. How about you?




How to Format Your Own Ebook

More and more writers are testing the publishing waters with their own ebooks. Likewise, many traditionally published authors are dusting off their backlists and offering their previous books for sale (if they've got the rights back). 

But putting an ebook online is much more than just uploading a Word document. There's formatting and cover design, and choosing which of the ebook formats to target. You can pay someone to do it for you, but fortunately, it's not impossible to do it yourself.

Recently, my local Pikes Peak Writers group offered a workshop on how to format an ebook. The presenter, author Deanna Knippling, has graciously provided the same information in a series of blog posts aimed at beginners in the ebook world.

Part 1: The most common ebook formats, and which ones you should target first. Plus, the importance of editing.

Part 2: The nitty-gritty of formatting your ebook. Knippling saves authors a huge amount of time by teaching how to make an ebook template, so future ebooks will be a snap to format.

Part 3: Finalizing, uploading, and validating your ebook. Also how to trouble-shoot if things aren't working well.

Part 4: How to design your book cover, with information for beginners and advanced cover artists. Knippling includes a list of helpful tips about what to put on your cover, and shares advice about what not to do.

Part 5: Advanced formatting topics, and links to resources for ebook writers.

And if you need some plain-English information on ISBN numbers, here's an easy to understand post by author Claire Delacroix.

Have you formatted your own ebook? Are you thinking about it?

Learn to Upload Electronic & Print Books

Do-it-yourself has flooded the publishing industry. The landscape of publishing has changed so much in the last several years. More and more authors are skipping the query-writing, agent-hunting, contract-grasping travails of writers past, and taking their books in hand to make their publishing dreams a reality.

Because of the rapid changes, it's hard for writers to keep up with what to do and how to do it. There are resources waiting for self-publishing writers, but it's difficult to weed through the enormous amounts out there.

Mary DeMuth is both a traditionally published author, and the author of several ebooks. She has put together a free report: Free Step-by-step guide to uploading e & print books.

In this 30-page guide, DeMuth shares:

~how to upload an ebook in 7 steps

~how to upload a physical book on CreateSpace in less than 2 hours

~the site she uses in conjunction with PayPal to administrate her e-purchases

~a brief overview of copyediting and writing mistakes to get your manuscript in shape

~marketing tips for your new book

~photos of the exterior and interior of books from CreateSpace

If you're interested in the free book, head over to DeMuth's site Write Uncaged. Signing up for her free monthly newsletter gives you the book in a few minutes. While you're there, check out DeMuth's blog, with posts like Why Writers Can Seldom Live On Advances. And don't miss the freebie page, with articles on querying, becoming an email jedi, and publishing myths.

Have you taken the plunge into self-publishing? Are you considering it?

Make Your Own Book Cover

With NaNoWriMo ending in just a few days, some of you might be starting to think about a book cover. Even if your manuscript is far from done, a book cover--even a temporary one--might give you the motivation you need to make it to the finish line.

I've scoured the NaNoWriMo forums for resources that can help. First off, you'll want to browse other covers to see what appeals to you. I wrote about a site called the Book Cover Archive where you can do just that, and I listed four tips for creating your cover.

During NaNoWriMo, different designers choose participants at random and create book covers. To see the results of their creations (and maybe find a designer you'd like to hire), check out 30 Covers in 30 Days. For those that didn't get picked for a free cover, the NaNo Artisans thread has posts by many designers offering their services.

One participant recommended the free Cover Creator software over at CreateSpace. You do have to sign up for a free account, but once that's done, they walk you through the process of making your own cover, using photos that you import. There are all kinds of templates to choose from to make your cover as professional as possible.

Another NaNo thread lists all kinds of tips and tricks to remember when creating a cover. The advice covers color, design, and fonts.

Have you given any thought to what your cover will look like? Are you the do-it-yourself type, or would you hire a designer?

Who Are the Big Six Publishers?

Now that my contest entry is finished and sent, it's time to catch up on my NaNoWriMo word count. So today's post will be brief.

When you're trying to wrap your mind around publishing as a business, it's really hard to visualize all the imprints and the parent companies they're connected to. I searched online to see if anyone had done a kind of "family tree" of publishers and imprints, but I had no luck.

Fortunately, a couple of bloggers have compiled the information:

Steve Laube is a literary agent with an excellent blog. In Who Owns Whom in Publishing, he lists the Big Six along with their imprints. And being a Christian agent, he also includes a list of privately-owned Christian publishers.

And author Scott Marlowe has a similar list: Publishing's Big Six: Who are they? His list includes clickable links to each of the imprints. Marlowe's list was compiled in early 2010, so there are likely some changes.

With all the imprints out there, it's surprising that only six companies rule the publishing world. Of course there are many indie imprints. You can find out more about them at All Indie Publishing, and Indie Publishing on the Cheap.

Have you researched which imprints or indie publishers would be a good fit for your manuscript?


Guest Post: The Future of Publishing Revisited

Once a month I publish an article from Randy Ingermanson's worthwhile free newsletter. He has some fascinating comments on the future of publishing. Whether you're angling for traditional or self-publishing, or (like me) still trying to decide, you need to read this column.

The Future of Publishing Revisited, by Randy Ingermanson

In July of 2010, I made a set of nine predictions in this e-zine about the future of publishing in light of the current e-book revolution. If you want to go back and read that issue, you can. All issues of this e-zine are archived on my web site here.

Today, I want to update that set of predictions in light of what I've learned since then. Let's look at them in turn and see how clairvoyant (or obtuse) I was:
Prediction #1: Sales of e-books will surpass sales of paper books within five years.

When I made this prediction, it seemed aggressive. However, I now think it'll happen quicker than that.
The most recent estimates I've heard are that e-books are currently about 20% of the total book market (up from about 4% a couple of years ago).

I'm going to guess that e-books will hit a 50% market share within the next two years.

Prediction #2: E-books will become the "minor leagues".

I think this is already happening. The numbers I'm hearing are that about a million e-books are being
published each year in the US. That compares to a couple of hundred thousand paper books.

In March, Amanda Hocking signed a deal with St. Martin's Press. Hocking made her name late last year with her self-published paranormal YA e-books.

In August, John Locke signed a distribution deal with Simon & Schuster to handle sales of the paper editions of his massively popular self-published e-books.

Expect to see more of this in the next couple of years. Five years from now, I expect this will be commonplace.

Prediction #3: Beginning authors will e-publish first.

This is already happening quite a lot, and I expect it to become the norm within a few years. One of the
writers in my local critique group, Traci Hilton, has done extremely well with her e-book series of
mysteries.

What has surprised me is that some traditional publishers are now offering first-time authors e-book-only contracts for their first book. This past July, one of my former mentees, Mike Berrier, published his first novel, CASH BURN, in an e-only edition with Tyndale House, a mid-sized traditional publisher that has been very successful in paper for many years.

Prediction #4: Midlist authors will do better.

This is hard to measure because numbers are very difficult to get. Most authors don't even get their
sales numbers from their publishers until months later, and they rarely share those numbers, even with their closest friends. So it's hard to know for sure what the status quo is.

However, I do know for sure that most of my midlist author friends have been hard at work in the past year putting their backlist novels into print as e-books. And they're much more able and willing to tell their numbers for those.

The numbers I hear from them vary, but it's fair to say that a midlist author can reasonably expect to earn anywhere from a few tens of dollars per month up to more than a thousand dollars per month on each backlist book they put into print as an e-book. This is free money.

It's unclear to me how things will shake out long-term, but I think this prediction is still a good one.

Prediction #5: Bestselling authors will profit most.

The clearest test of this will come when superstar J.K. Rowling gets her new "Pottermore" site rolling. It's currently still in beta testing.

I would not be surprised to see Rowling make this a massive success.

It's an open question whether other A-list authors are going to follow suit with their own e-book initiatives, but my hunch is that they will. A-listers tend to be smart business people and they go with the money.

Prediction #6: Publishers will no longer accept returns.

I've seen no evidence that this prediction is coming true. The reason is clear to me -- the major bookstore chains have been even more financially stressed than the major publishers. Borders, after a long fight, lost its battle with bankruptcy in July.

Returns are a major cost for publishers of paper books. (Not so for e-books, since there is nothing for a
bookstore to return if an e-book doesn't sell.)

If the publishing world were logical, returns would not exist. But they do, and it's possible that this
prediction will turn out to be simply wrong. We'll see.

Prediction #7: Agents will stop reading slush.

Again, I see no evidence that this is happening. Yet. Most of my agent friends still get enormous amounts of slush. They still read some of it and scan a lot of it, but I suspect it's the worst part of their jobs.

Give this prediction time. When self-published e-books becomes the normal way for budding authors to break into the business, agents will quit reading slush and turn to the e-book best-seller lists for their new clients.

Prediction #8: Publishers will become more profitable.

Yes, they will. Because they'll be publishing more winners. Because they'll be choosing which books to publish from the e-book best-seller lists. Because authors will be e-publishing first, before they go to
paper.

Note that this means that publishers will be publishing fewer books. But the ones they publish will do better.

Again, give this prediction time. This won't happen until it becomes the norm for authors to e-publish
first and establish the saleability of their books in the Darwinian market.

Prediction #9: Some will do better; some will do worse.

This is a no-brainer. Whenever you have massive change, some will do better and some will do worse.

The ones who do better will be those with an entrepreneurial bent. The ones who do worse will be the
other kind.

The above is my original set of predictions from July, 2010. Now I have two more to add here:

Prediction #10: The race to the bottom will end.

This is not really a prediction. It's an observation of what I already see beginning to happen and which I expect will continue.

A year or two ago, the greatest fear I heard from authors was, "They're going to devalue our work by
pricing it too low. We'll all starve to death."

Authors were shocked when they heard of heretics selling their e-books for $2.99. They were mortified at the success of authors like John Locke, who sold over a million copies at a $.99 price point. And they were absolutely terrified when they learned that some wicked writers were pricing their e-books at $0.00.

What if all e-books became free? Then how would authors earn a living?

That was the fear I heard voiced over and over.

What I have seen happening in the last month or two is a price bounce. Authors have learned that you can move a lot of copies at $.99, but when you do that, you're lumped in with the shlock and you don't earn much.

The trend I'm seeing (and this is very recent) is for the quality authors to price their books higher. I
believe that very soon $2.99 is no longer going to be considered the optimal price for a self-published
e-book by an established author.

I believe that good authors will actually sell MORE copies at a price point above $2.99 because readers have begun to realize that you get what you pay for.

Prediction #11: Prices of e-books will correspond roughly to quality.

We'll always see free e-books. But more and more, a price of $0.00 will be seen as a sign of low quality. The same will be true of the $.99 e-books.

Authors will price their books at a level to maximize their total revenue. (They should do this. It's the
only rational way to price an electronic product.)

This means that the best books will cost more and the worst books will cost less. The market is smart and will swiftly sort things out. If the online retailers provide e-publishers tools to dynamically set prices, this will happen automatically.

If this happens, the worst books will have the lowest prices and the best books will have the highest prices.

This is great news for authors. We need not fear that we'll work like dogs and earn peanuts for our efforts. If this prediction comes true, for the first time in history, authors will earn exactly what they're worth. No more, no less.

Won't that be spectacular if it comes true?

An open question: What about piracy? Will it kill publishing?

I don't know, but I doubt it. I tend to agree with those authors who believe that "piracy is not the
enemy, obscurity is the enemy."

Right now, I think the empirical data is too thin to know for sure, so I'm going to withhold making a
prediction just yet.

Another open question: Will the wheels fall off of traditional publishers?

Again, I don't know. This could happen. It's a very real possibility. Here's why:

Most traditional publishers pay their authors only 25% royalties on the net sales of e-books. (A few pay even less.) Virtually all authors and agents consider this royalty rate to be massively unfair.

A small number of authors have abandoned traditional publishers because they believe they can do better by self-publishing electronically.

The hazard for traditional publishers is that their A-list authors will leave in droves. A-list authors are
the ones who write the books that earn the publishers most of their money. If they all left their publishers at once, then the wheels really would fall off. Rapidly.

That is a horrible, train-wreck scenario. Could it REALLY happen?

No, it can't happen all at once, because most A-list authors are somewhere in the middle of long-term contracts that may take years to work through. So don't expect any sudden disasters.

But yes, it could happen over time, like a long series of dominos falling in sequence.

Will it happen?

Maybe. I consider this the biggest question in publishing at the moment. A lot depends on how much
publishers are willing to bend on the royalty-rate issue.

My own best hunch is that A-list authors will eventually leave their publishers if they can't get a
royalty rate on e-books above 40%. (The authors I've talked to think that a truly fair rate would be at
least 50%, but I suspect they'd settle for 40%.)

Will the traditional publishers ever raise their royalty rates? I'm guessing they will, but they'll need
to do so before their A-listers leave. And they'll need to raise the rates high enough to make their authors happy.

Award-winning novelist Randy Ingermanson, "the Snowflake Guy," publishes the Advanced Fiction Writing E-zine, with more than 28,000 readers, every month. If you want to learn the craft and marketing of fiction, AND make your writing more valuable to editors, AND have FUN doing it, visit http://www.AdvancedFictionWriting.com.


Download your free Special Report on Tiger Marketing and get a free 5-Day Course in How To Publish a Novel.

What do you think of Ingermanson's predictions? Is he on the right track, or way off base?

A free self-publishing webinar, plus Seth Godin

Writer's Digest is offering another free webinar, titled Seven Secrets of Successful Self-Published Authors. This one will air on Tuesday, November 15th at 2:30pm Eastern Time. If the time doesn't work for you, sign up anyway. After the webinar, you'll receive a link to listen to the workshop any time for a full year.

Here's the blurb about the webinar:

Why is it that some writers are able to reach their publishing goal and market their books successfully while others never get it done?  

Keith Ogorek, SVP of marketing for Author Solutions and self published author of two books, shares seven secrets he’s learned from his own experience working with hundreds of authors that will help you understand your publishing options and the key things to know about effective marketing.  Confused or overwhelmed by the changes in publishing today?  This seminar will help you gain clarity about your opportunities.
It only takes a minute to sign up for the webinar. You'll get an email that day to remind you to listen in, or you can wait for the replay email.

You might be interested in Keith Ogorek's blog, The Indie Book Writers Blog. He's been posting videos from Seth Godin on the future of publishing, and traditional and Indie publishing. Here's one of the videos to give you an idea of Godin's views. I had no idea that the New York Times Bestseller list worked this way! Check out Ogorek's blog for more.

Stay tuned for more on the future of publishing, and the impact of self-publishing on Monday.
What's your opinion on 'buying yourself' onto the NYT Bestseller list?

Do Publishers Bully Authors Through Contracts?

Yesterday's post on the free Writer's Digest ebooks raised some interesting questions. It seems that at least in the case of author Les Edgerton (who wrote Hooked) the publisher did not even let the authors know they planned to offer their work for free.

You might want to hear what Edgerton thought of his treatment. Make sure to read the comments to grasp more of the discussion. While the freebie has raised his book's stats on Amazon, there are some disturbing implications for authors at the mercy of a contract's fine print. Likely, it's only after things like this happen that authors realize the possibilities spawned by difficult-to-understand contract language.

When publishers treat authors with little regard (and word gets out about it in our socially-connected world) it drives more and more writers towards self-publishing. Writers spend huge amounts of time on their books, and it can take years for them to see any profit from their work. It's frustrating for them to have their work given away, especially if they're not part of the decision process.

I faithfully read agent Kristin Nelson's blog, Pub Rants. Many of her posts are connected to the deciphering of contract language, and how even little things can end up being painful elements in an author's life. This post, titled Scarier than Halloween, is a great example of details I would never have thought of. I can't imagine how an author without representation would end up with a fair deal.

I'm not saying that publishers are bad. They're in this business to make money. But so are authors. I believe that authors need a well-informed agent on their side to wade through contract language. And authors need to research all their options--both for traditional publishing and self-publishing--before they make a decision.

Which way are you leaning right now?

Huge Stack of Free Writing Books! Get them for #NaNoWriMo inspiration.


I was bowled over Sunday morning to discover half a dozen writing books free for Kindle and Nook! There's no telling how long they'll be free (just found out they are free only through November 12th), so get them while you can. I'm including the blurb for each one, since I have not read them yet, with the exception of Les Edgerton's excellent Hooked (see my review here). Don't miss your chance to snap up that one, and while you're at it check out his wonderful blog.  

Hooked, by Les Edgerton The road to rejection is paved with bad beginnings. Agents and editors agree: Improper story beginnings are the single biggest barrier to publication. Why? If a novel or short story has a bad beginning, then no one will keep reading. It's just that simple.In Hooked, author Les Edgerton draws on his experience as a successful fiction writer and teacher to help you overcome the weak openings that lead to instant rejection by showing you how to successfully use the ten core components inherent to any great beginning. You'll find:Detailed instruction on how to develop your inciting incident. Keys for creating a cohesive story-worthy problem. Tips on how to avoid common opening gaffes like overusing backstory. A rundown on basics such as opening scene length and transitions. A comprehensive analysis of more than twenty great opening lines from novels and short stories. Plus, you'll discover exclusive insider advice from agents and acquiring editors on what they look for in a strong opening. With Hooked, you'll have all the information you need to craft a compelling beginning that lays the foundation for an irresistible story!
For Kindle click here | For Nook click here 
 
The Complete Handbook Of Novel Writing: Everything You Need to Know About Creating & Selling Your Work Get advice from the best in the business on every part of the novel writing and publishing process! In The Complete Handbook of Novel Writing, 2nd Edition, you'll learn from the invaluable advice of established writers. Discover new ways to generate ideas, implement intriguing techniques, and find the inspiration you need to finish your work. This fully-revised edition includes a revamped marketing section that covers the unique challenges of today's publishing market and the boundless opportunities of online promotion.Inside you'll find expert advice from dozens of bestselling authors and publishing professionals on how to: Master the elements of fiction, from plot and characters to dialogue and point of view. Develop a unique voice and sensibility in your writing. Manage the practical aspects of writing, from overcoming writer's block to revising your work. Determine what elements your story needs to succeed in a particular genre—science fiction, fantasy, mystery, suspense, inspirational, romance (mainstream and Christian), or historical fiction. Find an agent, market your work, and get published—or self-publish—successfully. You'll also find interviews with some of the world's finest writers, including Margaret Atwood, Tom Clancy, Brock Clarke, Cory Doctorow, Dave Eggers, Elizabeth George, Jerry Jenkins, Stephen King, Megan McCafferty, Audrey Niffenegger, Joyce Carol Oates, Chuck Palahniuk, James Patterson, Richard Russo, Anne Tyler, John Updike, and Kurt Vonnegut. Their words will provide you with the guidance and encouragement of your very own writing mentor.The Complete Handbook of Novel Writing is your one-stop resource for everything you need to know about the craft and business of creating a bestseller. 
For Kindle click here | For Nook click here  

 
Story Structure Architect, by Victoria Lynn Schmidt Build a Timeless, Original Story Using Hundreds of Classic Story Motifs!It's been said that there are no new ideas; but there are proven ideas that have worked again and again for all writers for hundreds of years.Story Structure Architect is your comprehensive reference to the classic recurring story structures used by every great author throughout the ages. You'll find master models for characters, plots, and complication motifs, along with guidelines for combining them to create unique short stories, novels, scripts, or plays. You'll also learn how to:Build compelling stories that don't get bogged down in the middle. Select character journeys and create conflicts. Devise subplots and plan dramatic situations. Develop the supporting characters you need to make your story work. Especially featured are the standard dramatic situations inspire by Georges Polti's well-known 19th century work, The Thirty-Six Dramatic Situations. But author Victoria Schmidt puts a 21st-century spin on these timeless classics and offers fifty-five situations to inspire your creativity and allow you even more writing freedom. Story Structure Architect will give you the mold and then help you break it.This browsable and interactive book offers everything you need to craft a complete, original, and satisfying story sure to keep readers hooked! 
For Kindle click here | For Nook click here

How to Be a Writer: Building Your Creative Skills Through Practice and Play by Barbara Baig Athletes practice. Musicians practice. As a writer you need to do the same. Whether you have dreams of writing a novel or a memoir or a collection of poems, or you simply want to improve your everyday writing, this innovative book will show you how to build your skills by way of practice. Through playful and purposeful exercises, you'll develop your natural aptitude for communication, strengthening your ability to come up with things to say, and your ability to get those things into the minds (and the hearts) of readers. You'll learn to: 1. Train and develop your writer's powers—creativity, memory, observation, imagination, curiosity, and the subconscious. 2. Understand the true nature of the relationship between you and your readers 3. Find your writer's voice. 4. Get required writing projects done so you have more time for the writing you want to do. And much more. Empowering and down-to-earth, How to Be a Writer gives you the tools you need, and tells you what (and how) to practice so that you can become the writer you want to be. 
For Kindle click here | For Nook click here
 
The Complete Guide to Self-Publishing: Everything You Need to Know to Write, Publish, Promote and Sell Your Own Book by Marilyn Ross "Self-publishing," say authors Tom and Marilyn Ross, "is a perfect example of the American dream." The Complete Guide to Self-Publishing, then, is an aspiring self-publisher's dream. "This isn't a book of fancy theory," as the authors put it; "it's a practical handbook of state-of-the-art specifics." In 521 pages, it lays out everything you need to know to publish your own books, from start-up considerations to the possibility of selling to a big publisher: how to choose a name for your press, how to get an ISBN, what cover designs cost, how to find a reliable printer, how to price your book, where to find lighter-weight shipping envelopes, how to generate working capital. The authors' encyclopedic grasp of the ins and outs of self-publishing is matched by their natural good sense about self-promotion. Turn your signings into events, they recommend; get your books into a variety of venues; use the books as fundraisers for organizations; get online and get reviewed online. The price of this book is negligible considering the cost of proper self-publishing (between $12,000 and $25,000), and, oh, the headaches it will spare you! --Jane Steinberg
For Kindle click here | For Nook click here

Getting the Words Right by Theodore Cheney The Secret to Good Writing. When asked by the Paris Review what compelled him to rewrite the ending of A Farewell to Arms 39 times, Ernest Hemingway replied, "Getting the words right." His answer echoes what every successful writer knows: The secret to all good writing is revision.For more than twenty years, Getting the Words Right has helped writers from all professions rewrite, revise, and refine their writing. In this new edition, author Theodore Cheney offers 39 targeted ways you can improve your writing, including how to: create smooth transitions between paragraphs, correct the invisible faults of inconsistency, incoherence, and imbalance, overcome problems of shifting point of view and style, express your ideas clearly by trimming away weak or extra words. You'll strengthen existing pieces and every future work by applying the three simple principles—reduce, rearrange, and reword. Once the secrets of revision are yours, you'll be able to follow Hemingway's lead—and get the words right! 
For Kindle click here | For Nook click here

Hope you enjoy these books. Let me know what you think. 
 


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