Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Sample of The Unspoken


This is Chapter 1 of The Unspoken, an exclusive novella for my newsletter list.
Coming June 2020. Enjoy!


Hiding is the surest way to be found out.
~The Traveler

The sailor spotted her behind a weathered barrel on the deck, hunched small on a rolled piece of canvas. 

Ionna caught her breath, skin prickling. She gripped the staff in her hands so tightly blood pounded in her fingers. The staff could serve as a weapon if need be.

The sailor’s skin was dark everywhere. Darker than the ebony trees in the forest near her village. His tightly-curled hair was graying along with his beard, surrounding a face full of crisscrossing lines that reminded her of parched earth. The man’s cracked lips moved, revealing crooked, stained teeth and gaps from teeth lost in his rough sea life. Ionna analyzed his posture and expressions. Was he threatening or kind?

Before she started her journey she had imagined the dangers for a woman traveling alone, but the past days had taught her how naïve she was. 

And now, after a day and a half aboard the rocking ship, terrified to interact with these wild men, her thirst was formidable, cleaving her tongue to the dried husk of the roof of her mouth. She yearned for cool water to wash her parched throat. She had hoped for rain, but the faeries her people prayed to had not answered. At long last, in desperation, she had lapped at a puddle of seawater pooled on the deck. Her stomach retched and she spat out the bitter saltiness. The sailors had laughed at her with their hard, closed faces, violently contorted lips, and hungry eyes. She imagined their grasping hands—and she had found this spot to hide.

She looked warily toward the sailor. He was still there.

She slid farther away, her back connecting with the side of the ship.

He held something shaped like a small cup, nodded at it, then pointed his chin at her. His lips moved again. His eyes were dark like his skin, and they crinkled at the corners. Could she trust him?

This water might be the same as what she tasted before. Perhaps this man was tricking her, only to laugh as the others had done. Or he expected payment. Payment in coins she no longer possessed—or payment in terms rough men seemed to expect in this strange world.

She used to long for the mysteries of the world outside the forest. Now she wasn’t so sure.
The grizzled sailor held the cup to his lips and tipped his head back, then licked a drop of water from his lips. He winked one eye and set the vessel on the deck near the barrel she’d hidden behind, and took a step back. 

She hesitantly grasped the cup, surprised at the material of its construction. Gray in color like the heavy clouds, cold like stone on her fingers, and somehow moist—as if the liquid inside had found a way through the cup’s very walls. Her worn, wooden cup at home in the forest seemed very far away. Her fingers identified bumps on the sides of the cup where it had been roughly handled. She peeked at the sailor. His storm-gray whiskers sprouted in all directions from weathered cheeks. Grizzle would be a good name for him, if he deserved a name.

Ionna took a deep breath, then a tentative sip. The water tasted flat and stale and faintly of oak. But not salty.

She started to gulp the rest, but a staying motion from ‘Grizzle’ reminded her to slow down. 
She finished the last of the water and handed the cup back to Grizzle, with what she hoped was a grateful expression. He crinkled his eyes at her and moved his lips some more.  He passed the cup back to her, seeming to indicate it was hers. She slid it into a patch pocket on her skirt.

He brought her more water and a few pieces of hard cracker-like bread. Grizzle sat near her for hours. Through the heat of the sun poking between the clouds. Through the autumn leaf-colored rays as evening began. Through the apparent taunts of the other sailors, judging by their expressions and waving lips. He didn’t even seem bothered by the swirling tattoos beside her right eye. Apparently, women outside the forest wore no facial tattoos. How did they identify the differences between women? 

Later, Grizzle showed her the wooden barrel where she could dip her own water, and she realized the reason for the oak flavor. Of course, there was no forest stream here in the midst of the briny sea.

Ionna stood to stretch her stiff legs, gripping the rail with one hand and the staff with the other and looking over the waves. Over the last few days, she had occasionally glimpsed an island or hint of land in the far distance. Too far away. A fear of falling from the ship and drowning in the bracken waves roiled her belly. No one else seemed to be plagued with the same apprehension. She longed to hold onto the mast—the only structure similar to the trees of her forest—rather than venture near the rail of the vessel. But that would keep her near the other sailors.

Grizzle stood at the rail a few feet away—far enough to seem non-threatening—whittling some bit of wood with a short blade. The creases in his fingers and his fingernails seemed permanently stained darker than his skin. He glanced over at her, his lips breaking into a lopsided smile, and she wondered if she dared listen for his thoughts. Just to see if she could hear him.

At home, her people spoke not with lips but mind to mind. They heard not with ears but within their spirit. But since she left Lika Forest, she had never dared to reach out with her mind to listen to what a stranger tried to communicate with their flapping lips.  

Could she risk Grizzle’s awareness at what might seem like spying? Collect his thoughts before they poured out through his mouth?

She sent a tentative tendril of listening thought in his direction. Searching. Seeking. And then—the words smacked into her like a rogue wave. She was nearly bowled over by the intensity and volume of his thoughts, unlike the calm, steadiness of the men at home. She gripped the rail and staff tighter to still her mind.

…the sea be my mistress and I be hers. 

His lips seemed to move along with his thoughts. She should watch these lip movements more.
Grizzle readjusted the smoky pipe now clenched between his blackened back teeth. He pointed his blade at the shining fish swimming alongside the ship, leaping from the water over one another’s backs. 

Them be shad. Always show up when we pass through the channel. Means only two more days, if the sea stays calm.

Two days. She slid her hand down the surface of the intricately carved staff, every swirl and knob long since memorized. Did she have a chance to find the Traveler before he moved on? She felt a flush rise from her neck and hoped the loosened tendrils from her braid whipping about her face kept the sailor from noticing.

She closed her eyes and let Grizzle’s words trickle past her mind in a stream. She hadn’t realized how starved she was for communication, how lonely. It seemed impossible that only ten days had passed since she slipped away from home. Since she last mind-spoke with her family. Were they worried? Did they understand why she had to find the Traveler?

And ten long days where she had denied herself the temptation to seek out the words people spoke to her. Unsure and afraid, she relied only on hand gestures and expressions. And in return, most people treated her like the deaf-mute she was.

When Ionna had first stepped from the safety and familiarity of the forest and into the first tribe she met, her knees locked together and she could not have stirred, even if a swallow hole had opened beneath her feet. People moved everywhere, it seemed. Dressed in somber colors, so different from her colorful blouse and skirt, their patched and ragged clothes indicating hard workers who rarely took a moment to rest. Some pushed small carts or led animals that pulled conveyances loaded with dried grass or cut pieces of wood. Their hair was not only black like everyone in her tribe. She marveled to see the brown of tree trunks, the red of fox fur, the fawn color of a deer, and even a color like sunshine represented on their heads and beneath their hats and kerchiefs.

But most peculiar was the way they turned to one another. Opened their mouths. Lips twisted and smacked, tongues dancing inside. With each movement, their expressions changed. Somehow this tribe communicated in a way she had never seen. She had heard the tales from Petar, but they seemed impossible.

Despite her loneliness, her heart burned with purpose. She had never longed for the burden placed upon her in the forest, but finding Petar was different. She looked up at the sailors swarming over the rigging.

Grizzle’s thoughts invaded again. I know them sailors look like ants on honey, but they know what they’re about. Havin’ a purpose—I didn’t understand till I was taken from my home—there’s a satisfaction in that.

Ionna wanted to roll her eyes. Grizzle sounded like her grandmother. Her only purpose was finding Petar. Finding her place with him.

The wind picked up and the ship dipped into a trough between waves, sending spray into her face. She closed her eyes against the salty moisture, readjusting her grip on both the rail and the staff. But behind her eyelids, she saw the Traveler—Petar—his broad shoulders encased in a fitted deerskin shirt and dark leather vest, a worn oiled cape folded over his arm, and this very staff in his hand. His leather breeches tucked into knee-high boots, nicked and scratched from his many adventures. As she listened to his thoughts, he would shake his shaggy light-colored hair from his brown eyes, dispensing a favored nod or wink from time to time.

How many hours had she spent sitting around the fire with the others of her tribe—young and old—sitting at his feet, soaking in the stories of his travels around the world? Her tribe never left Lika Forest; all of them were hungry for a glimpse of places they would never see. 

Petar told of people who spoke mouth to ear, and never with the mind. Of cities with untold thousands who lived, strangely, on the very ground. Of vast areas of sand with no trees, and untold expanses of water, where one could no longer see land. Each story seemed like a faerie tale. If only she could see if the stories were true.

And here she was, embarking on a journey much like the Traveler. If she found him, would he be proud of her? Grateful to be reunited with the staff he had left behind and the information she brought? Perhaps, just perhaps he would understand that she longed to keep him company on his search. Perhaps he would invite her to join him as a partner. A friend. 

And perhaps even more. 


How to Describe Your Characters Well

After talking about dialogue last week, here's a reminder about character's looks.

Writing a novel is hard enough without having to invent your character's features. Some things are hard to make up. Take the guy to your left. His name is Torbar. He's a Croatian peddler in the middle ages ('Torbar' is the Croatian word for peddler, by the way--creative naming on my part, right?).

I found this guy on a photo-sharing site, doing a search for 'Croatia' and 'old man'. I love how one of his eyebrows curves normally, while the other is shaped like the letter 's'. If you cover one side of his face, he looks sleepy, but if you cover the other side, he appears stern. These are details I would never have come up with on my own.

Of course, I had to describe the rest of him, too. The wonderful internet came into play again when I spent a relaxing hour perusing the image files at the New York Public Library. I was thrilled to discover a series of drawings detailing the costumes of fifteenth century Croatians, from peasants to soldiers. And in the middle of it all was a Croatian merchant.

The internet is a fantastic place to inspire character descriptions. Some writers peruse the head shots of modeling agencies. I might do that if I was writing a romance, but I don't want my characters to look perfect. I want my characters to have some character.

So here are a few resources to help you get inspired. You may want to bookmark the page, since I'll be adding resources as I find them.

There's a huge amount of stock photography sites out there. While it's not the biggest, I'm partial to Stock.xchng, because the photos are free. I usually find just what I need.

Photo-sharing sites are another place to check. Websites like Flikr and Photobucket are just two spots to start with. And don't forget about Google Images. Do a Google search like usual, and then click the 'images' button on the side. You'll be amazed at what you come up with.

I've done searches for 'eyes' and 'hairstyles'. There's even a blog by a guy who is growing (and documenting) every conceivable beard type! If you need it, it's probably out there.

How do you come up with character descriptions? Any resources we should know about?

3 ways to improve your dialogue

Characters say stuff. Writers have to make what they say interesting, or readers will put down their books. Each writer has strengths and weaknesses, and I know dialogue is not one of my strong suits.

What to do?

Like everything else in writing, it's time to learn. Yes, some other writers will always write more stunning dialogue than I do, but mine can be improved. Here are a couple of posts that have helped me recently.

Learn Organic Dialogue. Rob D. Young lists nine ways to make dialogue more organic. He's got things I 'knew', but seldom insert into my writing, like mishearing people, and self-interruption. I'm making note of his tips so I can watch for places to use these in my manuscript.

Know Good Dialogue. Nathan Bransford came up with the seven keys to writing good dialogue. He points out the specifics of what good dialogue should do, like build towards something (he calls this escalation).

Edit Dialogue. Stephanie Morill has come up with a great checklist for editing dialogue. She poses thirteen questions to ask when going over a manuscript. Several are aspect I wouldn't have thought about other wise, like: Do your characters use different words for the same thing, or are their phrasings too similar? I'm planning to print out the list and adding it to my editing notebook.

Which authors are gifted at dialogue in your opinion? How do you edit the dialogue you write?

Photo courtesy of Stock.xchng

Writing Roulette: All the Generators You'd Ever Want, Part 1

Note to readers:
I've gone through all the links and have fixed all the broken ones. If you're found some good generators that I don't have, leave a note in the comments and I'll be sure to add that in (and credit you for your efforts!). And if you find broken links, please let me know. Thank you so much!

While I'm still getting back on my feet, this week I'll post a couple of my most popular posts. The generators in this post and the following one are some of the most-searched for through Google. If you've got other generators to suggest, leave a note in the comments. Here's hoping one of these generators will give you the inspiration you need!

Continuing the series of resources from the NaNoWriMo forums, I discovered all kinds of threads with links to generators for writers. What's a generator? It's kind of like playing roulette with story ideas.

Let's say you need a name for a particular walk-on character. It's a man, who hails from Brazil. You could spend all kinds of time researching, or you can click over to a random name generator that is specific by country. Voila! Your character is no longer nameless.

You may not need all these generators, and admittedly, some are more frivolous than others. But there may be a few you want to bookmark that will come in handy in the future.

Plot
Terrible Things Generator: helpful if you can't think of more trouble for your character.
Plot Generator: a beginning, middle, and end to get you started.
Plot Scenario Generator: try these ideas on for size.
Random Story Generator: a complete plot in a paragraph.
Story Idea Generator: similar to the one above.

Titles
Random Title Generator: gives you six random titles that are actually pretty good!
Abstract Art Title Generator: uses art to come up with titles, and links to Google so you can see if that title has ever been used.

Characters
Appearance Generator: choose either a simple or detailed description.
Motive Generator: what makes your character do what they do?
Quirks Generator: Give your character an unusual twist.
Bulk Character Generator: need lots of walk-on characters? Let this generator do the heavy lifting.
Everyday Problem Generator: helps make your character feel real.
Character Generator: gives you a character flaws and weaknesses.
Assorted Generators: particularly fairy tale names

Names
Fantasy Name Generator
Steampunk Name Generator
Elf Name Generator
Fake Name Generator: includes lots of details like height, weight, occupation, and birthdate
Random Name Generator: this one includes many ethnicities to choose from, plus the name's history and meaning.
Favorite Name Generator: choose names you like, and the software comes up with new ones.
Random Establishment Name Generator: find a tavern name.

And here's a new one: a fantasy language generator. There is a paid version, but feel free to use the free version to test it out.

Come back tomorrow for generators on setting, fun stuff, and sites that have collections of even more generators.
Do you have any favorite generators to add to the list? Leave a link in the comments.

Other posts in the series:
Resources for plotting a novel.
Generators, Part 2.

Calling all nosy writers!

 I'm a nosy writer. Are you? I love to hear more about what other people are writing, how they got their ideas, and what inspires them. I don't generally do memes, but I haven't really written much about my own WIP, so I figure it's time to share (Plus, it's a snowy day here in the mountains!). And I hope some of you share back with the link at the bottom.

I was tagged by Australian Trisha, and Canadian S.M. Carriere. Check out their contemporary and fantasy books. It's so interesting (and encouraging) to see the vast differences in the time frame different writers take in their creative process. 

 1. What is the name of your book?
SpindleWish

2. Where did the idea for your book come from?
Believe it or not, from a contest prompt (more details in question 9). But I love the idea of imagining "the rest of the story". In this Sleeping Beauty retelling, the princess is not so nice. Think about it. Growing up with a curse on your head isn't ideal, but it hasn’t done much for the princess' personality. Just ask her long-suffering chambermaid.

3. In what genre would you classify your book?
SpindleWish is young adult historical fantasy. It's set in medieval Croatia. If you're curious as to how this came about (and you want to see some amazing pictures), I wrote about my journey to this setting, and how it did wonders for my plot.

4. If you had to pick actors to play your characters in a movie rendition, who would you choose?
My characters are drawn from people I've met, or photos I find online. For this book, one of my daughters (see photo) and my sister's daughter play two of the main roles. Another character, a fascinating peddler, was put together through internet research. I shared some great links to where I found him in this post about describing characters.

5. Give us a one-sentence synopsis of your book.
Waking after a century, Sleeping Beauty’s chambermaid vows to find the powerful blood-tipped spindle before it can be used to destroy the remaining faeries. 

6. Is your book already published? Self-published or traditional?
Nope. I'm finishing the last of it, then I'll work on querying agents. I'm not ruling out self-publishing, but I really believe the querying process can help motivate me to make my writing stronger. 

7. How long did it take you to write your book?
I began in late 2009, but I've taken some long breaks! Probably a year, total.
 
8. What other books within your genre would you compare it to? Or, readers of which books would enjoy yours?
I love the stories of Shannon Hale, Donna Jo Napoli, Juliet Marillier and Robin McKinley.

9. Who or what inspired you to write this book?
The Enchanted Conversation was holding a submission contest. The topic was Sleeping Beauty, but writers had to imagine what life would be like once the palace woke up from 100 years of sleep. Once I came up with the idea that the blood on the spindle was the critical issue, plot ideas started popping up and away I went. I never did submit to that contest.

10. Tell us anything that might pique our interest in your book.        
 I loved exploring the theme of discovering inner strength through this book.

Now it's your turn to inspire the rest of us. Write a post with answers to the same (or similar) questions. Then come back here and share the link. I'll leave the link open for a week (till midnight on Nov. 2nd). I'm looking forward to finding out more about your stories.
 

The Olympics vs. Novel Writing

My son Daniel at the Olympic Training Center in Colorado Springs, CO.
Why have most of us been glued to the Olympic games the past few weeks? Is it just because it occurs only once every couple of years? 

I think it's more than that.

We get pulled into the athletes lives. We worry about them. Their prospects, their injuries, their personal challenges.

We felt the incredible disappointment when Jordyn Wieber didn't make the all around in gymnastics. We cringed when Jen Kessy had to take a medical timeout from her volleyball competition to warm her freezing feet. We rooted for runner Oscar Pistorius whose legs were amputated at age eleven months and for Cullen Jones, who learned to swim after a near drowning.

We see (thanks to the media) glimpses of the athletes' backstory--but not too much. If all the coverage was about the athletes' history, and not about what they're accomplishing or attempting right now, the backstory would have little meaning. It's the slice of backstory that adds depth to the individual's character, adds meaning to their goals, and makes their victories and triumphs so easy to share.

How about your novel? 

Is it so weighed down by backstory that your character doesn't do much except think about the past? All the Olympic athletes wouldn't have made it to London if they spent their time agonizing over their challenges or the unfairness of life. Let your character be impacted by his or her history. Let it make them stronger, more vulnerable, more fallible, but don't let it consume them and keep them from moving forward.

Is it too free of backstory? A character who acts without any connection to their past, their baggage, their life lessons, is not three-dimensional. What if the media only covered what the athletes did in the 'now', and ignored what they've overcome to get to that point? Watching elite athletes win medals would be a whole lot less compelling. It's the emotion we watch on the medal stand that tugs at our hearts. Seeing the athlete realize success after so many years of hard work, deprivation, and focus pulls us into their story. Are you so fearful of including backstory that you miss this connection to your readers' hearts?

For more information on creating unobtrusive backstory, check out this series titled "Making Your Reader Love Backstory" by author and writing teacher Randy Ingermanson. His four-part series will make you a backstory expert.

Read through your manuscript with balance in mind. A balance between enough backstory to give meaning to your character's present actions, decisions, failures and successes. Have the Olympics inspired your writing in other ways?




Grabbing an Agent's Attention: How do you start your story?

 Fire update: Our family is still on standby evacuation. The heroic fire crews have made huge strides in fighting the Waldo Canyon Fire. Hopefully the wind here in the mountains will not complicate things. If you're interested, here's a simulated video fly-through of the fire. It starts in my town and flies down through the fire area.

My first manuscript began with a scene of an orphan girl and her encounter with a peddler. It started kind of slowly, and culminated in a violent end. As a novice writer, I read that first chapters were important for grabbing an agent or editor's attention. I didn't think my first chapter was up to snuff (despite the fact it placed in a contest), so I changed it.

My new first chapter had my orphan running from a group of bandits. She's terrified, and has to fight for her life. Full of action, and emotion, I felt sure it was better.

It wasn't. Why?

Because even though I dropped the reader into a life-or-death situation, I didn't give the reader a chance to connect with my character. They didn't care what happened to her, so even though the situation was compelling, the reader's emotions weren't involved.

Kristin Nelson's recent blog post explained this well. I confused an action scene with an active scene. I thought my original slow start wasn't enough, and that I had to have action from the first sentence. Not true. Read through Nelson's post to see what the difference really is.

So, I got thinking about novel beginnings, and what advice others had. Here's a sampling of what I found:

Though it's for short stories, this post lists seven types of story openings, and why you might choose one over another.

Fiction Notes uses actual novel openings to come up with ten common ways to open a novel.

Helium collected a nice list of blog posts on how to write an excellent first chapter.

And two sites with great first chapter advice: Terrible Minds and Story Openings by Theresa Rizzo.

So I've decided to stick with my original first chapter. Once my readers are invested in my character, I can throw her into all kinds of situations. First of all, my job is to connect my readers to my characters.

How about you? What kind of first chapter have you written? Is it more active or action oriented? Have you made changes to it as you've learned more about the craft of writing?




Inventing New Characters: Time to Morph

Writers have all kinds of ways to come up with character descriptions. We adopt a favorite film or television actor, sometimes we comb through the rosters of modeling agencies, and other times we pick someone we know--or a stranger off the street.

But how cool would it be to morph your own character? You know how two friends get married and you can't wait to see how cute their kids are? Well, it's possible to find out now. And not only can you see what two people's kids will look like, you can blend any two people into a third person with ChangeFace.

Let's say you found a photo of a man whose dark looks you like, but you also admire another man's piercing eyes. Load them both into ChangeFace and see what you come up with. The site is pre-loaded with all kinds of celebrities, but you're welcome to upload your own.

Here's an example of a combination of Jackie Chan and Leonardo DeCaprio:

It could be fun to play around with. And if you're feeling creative, check out these other links and posts to flesh out your characters:

Writing Roulette: generators for writers who need inspiration, Part 1 and Part 2.

Kenda Turner's post on coming up with unique character names.

Give your character a quiz or psychological questionnaire to understand them better.

Sources for historical and modern day photos, including photos of every beard you can imagine.



So how do you come up with a new character? What do you use to find unique names, and describe the person you have in mind?

Quiz Your Characters: Find out what makes them tick

The characters in your novel have a heavy responsibility. They have to come up with witty dialogue, have interesting lives, and make snap decisions in difficult situations--all while looking fairly good and carrying the story. I don't think I'd want to trade places with mine!

To make characters that are more than cardboard thin, you have to get to know them. One way is to fill out any number of character questionnaires. Completing the exercises in Donald Maass' Fire in Fiction is also highly recommended (and I'll get to take his workshops again at a writing conference this spring!). 

But I stumbled on another way to go deeper with your character. Take a personality test in their name. I got the idea from Fae Rowan over at Writers in the Storm. Her post, Meyers-Briggs: a tool for authors and other humans, details using a psychological survey on your character, and how to analyze the results. She even has a link to a free online test you can use.

Anything that helps a writer deepen their knowledge of their characters is a plus.

And now, just for fun, here are some questionnaires for you. Pick your favorite and find out more about yourself:


Did you find out anything fun about yourself? Have you ever given your character a questionnaire?

Guest Post~Character Names: Have You Heard This One? by Kenda Turner

Today we have a fantastic guest post from Kenda Turner. If you haven't visited her blog, Words and Such, don't wait. This article will come in handy if you're in the middle of naming your NaNoWriMo characters. Kenda includes lots of resources at the end!
Character Names: Have You Heard This One? by Kenda Turner 
 
"Always end the name of your child with a vowel, so that when you yell the name will carry."
                                                                                                                                 --Bill Cosby


I recently came across the following statement in a book on novel writing. I'd never heard this "rule" before. Have you? 

"Choose names with long vowel sounds for principal characters, shorter for lesser."

No discussion of why followed. And since I'd never heard this before (and with apologies to the author for not accepting the idea at face value), I decided to put the theory to the test by conducting an informal poll on main character names. I took the names from books I have on my shelf, particularly classics and Newbery award winning authors since they've stood the test of time. Here's my list:

                         Long                                                                            Short
Jo, Little Women (Louisa May Alcott)                                             Scarlett, Gone With the Wind (Margaret Mitchell)
Mary, The Secret Garden (Frances H. Burnett)                    Meg, A Wrinkle in Time (Madeleine L'Engle)
Andi, Revolution (Jennifer Donelly)                                           Anne, Anne of Green Gables (Luci Maud Montgomery)   
Tilly, The River Between Us (Richard Peck)                        Miranda, When You Reach Me (Rebecca Stead)
Zola, The Unfinished Angel (Sharon Creech)                       Jess, Bridge to Terabithia (Katherine Paterson)
Abilene, Moon Over Manifest (Clare Vanderpool)             Mibs, Savvy (Ingrid Law)
Jethro, Across Five Aprils (Irene Hunt)                                    Kit, The Witch of Blackbird Pond (Elizabeth George Spears)


As you can see, the results ended in a tie.

After this, I went back and checked the last names on the short-vowel list, and found that four of  the seven carried long-vowel sounds, three short. Not quite a tie there, but close.

So I asked myself, do vowel sounds carry that much weight? Or are there other considerations for choosing character names?

Actually there are. One of the best ways is get to know the characters--their personalities, quirks, and backgrounds. This way, the "ear" will be more open to the name that fits. Not only that, but names should be chosen with an ear to historical and cultural accuracy. Also, ideas for names can come from a variety of sources, like baby name books, lists of names popular to an era, movie and tv credits, business directories, old yearbooks, phone books--sometimes even cemeteries. For some writers, the name's meaning is important, for others it is simply a matter of what "feels" right. Yes, it boils down to how a name sounds, but not only because of long or short vowels.

And, unlike Bill Cosby's reason for choosing a child's name ending in a vowel, if we utilize other resources, we'll have no reason to yell. The name will carry itself.

At least that's what I think. What do you think?

p.s. for some good guidelines (not rules!) to aid in choosing character names, you might want to check out these sources:
How To Give Your Character the Perfect Name, Writer's Digest
Name That Character, Top Ten Tips, The Script Lab
Tips for Writers on Naming Fictional Characters, Baby Names
Eight Things to Keep in Mind When Naming Characters, Jody Hedlund
Name That Character, Writing World

*photo courtesy of www.sxc.hu
is a writer, wife, mother, and grandmother for whom the writing bug took hold early on and won't shake loose. She likes books (of course), walks in all seasons, photography, local history. She would like to see her children's books published. She'd also like to learn Spanish and Portuguese since her grandkids are being raised in bilingual homes--but that might be a greater challenge than getting published.

How do you come up with character names? Any more resources we should know about?

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