Showing posts with label authors. Show all posts
Showing posts with label authors. Show all posts

Sample of The Unspoken


This is Chapter 1 of The Unspoken, an exclusive novella for my newsletter list.
Coming June 2020. Enjoy!


Hiding is the surest way to be found out.
~The Traveler

The sailor spotted her behind a weathered barrel on the deck, hunched small on a rolled piece of canvas. 

Ionna caught her breath, skin prickling. She gripped the staff in her hands so tightly blood pounded in her fingers. The staff could serve as a weapon if need be.

The sailor’s skin was dark everywhere. Darker than the ebony trees in the forest near her village. His tightly-curled hair was graying along with his beard, surrounding a face full of crisscrossing lines that reminded her of parched earth. The man’s cracked lips moved, revealing crooked, stained teeth and gaps from teeth lost in his rough sea life. Ionna analyzed his posture and expressions. Was he threatening or kind?

Before she started her journey she had imagined the dangers for a woman traveling alone, but the past days had taught her how naïve she was. 

And now, after a day and a half aboard the rocking ship, terrified to interact with these wild men, her thirst was formidable, cleaving her tongue to the dried husk of the roof of her mouth. She yearned for cool water to wash her parched throat. She had hoped for rain, but the faeries her people prayed to had not answered. At long last, in desperation, she had lapped at a puddle of seawater pooled on the deck. Her stomach retched and she spat out the bitter saltiness. The sailors had laughed at her with their hard, closed faces, violently contorted lips, and hungry eyes. She imagined their grasping hands—and she had found this spot to hide.

She looked warily toward the sailor. He was still there.

She slid farther away, her back connecting with the side of the ship.

He held something shaped like a small cup, nodded at it, then pointed his chin at her. His lips moved again. His eyes were dark like his skin, and they crinkled at the corners. Could she trust him?

This water might be the same as what she tasted before. Perhaps this man was tricking her, only to laugh as the others had done. Or he expected payment. Payment in coins she no longer possessed—or payment in terms rough men seemed to expect in this strange world.

She used to long for the mysteries of the world outside the forest. Now she wasn’t so sure.
The grizzled sailor held the cup to his lips and tipped his head back, then licked a drop of water from his lips. He winked one eye and set the vessel on the deck near the barrel she’d hidden behind, and took a step back. 

She hesitantly grasped the cup, surprised at the material of its construction. Gray in color like the heavy clouds, cold like stone on her fingers, and somehow moist—as if the liquid inside had found a way through the cup’s very walls. Her worn, wooden cup at home in the forest seemed very far away. Her fingers identified bumps on the sides of the cup where it had been roughly handled. She peeked at the sailor. His storm-gray whiskers sprouted in all directions from weathered cheeks. Grizzle would be a good name for him, if he deserved a name.

Ionna took a deep breath, then a tentative sip. The water tasted flat and stale and faintly of oak. But not salty.

She started to gulp the rest, but a staying motion from ‘Grizzle’ reminded her to slow down. 
She finished the last of the water and handed the cup back to Grizzle, with what she hoped was a grateful expression. He crinkled his eyes at her and moved his lips some more.  He passed the cup back to her, seeming to indicate it was hers. She slid it into a patch pocket on her skirt.

He brought her more water and a few pieces of hard cracker-like bread. Grizzle sat near her for hours. Through the heat of the sun poking between the clouds. Through the autumn leaf-colored rays as evening began. Through the apparent taunts of the other sailors, judging by their expressions and waving lips. He didn’t even seem bothered by the swirling tattoos beside her right eye. Apparently, women outside the forest wore no facial tattoos. How did they identify the differences between women? 

Later, Grizzle showed her the wooden barrel where she could dip her own water, and she realized the reason for the oak flavor. Of course, there was no forest stream here in the midst of the briny sea.

Ionna stood to stretch her stiff legs, gripping the rail with one hand and the staff with the other and looking over the waves. Over the last few days, she had occasionally glimpsed an island or hint of land in the far distance. Too far away. A fear of falling from the ship and drowning in the bracken waves roiled her belly. No one else seemed to be plagued with the same apprehension. She longed to hold onto the mast—the only structure similar to the trees of her forest—rather than venture near the rail of the vessel. But that would keep her near the other sailors.

Grizzle stood at the rail a few feet away—far enough to seem non-threatening—whittling some bit of wood with a short blade. The creases in his fingers and his fingernails seemed permanently stained darker than his skin. He glanced over at her, his lips breaking into a lopsided smile, and she wondered if she dared listen for his thoughts. Just to see if she could hear him.

At home, her people spoke not with lips but mind to mind. They heard not with ears but within their spirit. But since she left Lika Forest, she had never dared to reach out with her mind to listen to what a stranger tried to communicate with their flapping lips.  

Could she risk Grizzle’s awareness at what might seem like spying? Collect his thoughts before they poured out through his mouth?

She sent a tentative tendril of listening thought in his direction. Searching. Seeking. And then—the words smacked into her like a rogue wave. She was nearly bowled over by the intensity and volume of his thoughts, unlike the calm, steadiness of the men at home. She gripped the rail and staff tighter to still her mind.

…the sea be my mistress and I be hers. 

His lips seemed to move along with his thoughts. She should watch these lip movements more.
Grizzle readjusted the smoky pipe now clenched between his blackened back teeth. He pointed his blade at the shining fish swimming alongside the ship, leaping from the water over one another’s backs. 

Them be shad. Always show up when we pass through the channel. Means only two more days, if the sea stays calm.

Two days. She slid her hand down the surface of the intricately carved staff, every swirl and knob long since memorized. Did she have a chance to find the Traveler before he moved on? She felt a flush rise from her neck and hoped the loosened tendrils from her braid whipping about her face kept the sailor from noticing.

She closed her eyes and let Grizzle’s words trickle past her mind in a stream. She hadn’t realized how starved she was for communication, how lonely. It seemed impossible that only ten days had passed since she slipped away from home. Since she last mind-spoke with her family. Were they worried? Did they understand why she had to find the Traveler?

And ten long days where she had denied herself the temptation to seek out the words people spoke to her. Unsure and afraid, she relied only on hand gestures and expressions. And in return, most people treated her like the deaf-mute she was.

When Ionna had first stepped from the safety and familiarity of the forest and into the first tribe she met, her knees locked together and she could not have stirred, even if a swallow hole had opened beneath her feet. People moved everywhere, it seemed. Dressed in somber colors, so different from her colorful blouse and skirt, their patched and ragged clothes indicating hard workers who rarely took a moment to rest. Some pushed small carts or led animals that pulled conveyances loaded with dried grass or cut pieces of wood. Their hair was not only black like everyone in her tribe. She marveled to see the brown of tree trunks, the red of fox fur, the fawn color of a deer, and even a color like sunshine represented on their heads and beneath their hats and kerchiefs.

But most peculiar was the way they turned to one another. Opened their mouths. Lips twisted and smacked, tongues dancing inside. With each movement, their expressions changed. Somehow this tribe communicated in a way she had never seen. She had heard the tales from Petar, but they seemed impossible.

Despite her loneliness, her heart burned with purpose. She had never longed for the burden placed upon her in the forest, but finding Petar was different. She looked up at the sailors swarming over the rigging.

Grizzle’s thoughts invaded again. I know them sailors look like ants on honey, but they know what they’re about. Havin’ a purpose—I didn’t understand till I was taken from my home—there’s a satisfaction in that.

Ionna wanted to roll her eyes. Grizzle sounded like her grandmother. Her only purpose was finding Petar. Finding her place with him.

The wind picked up and the ship dipped into a trough between waves, sending spray into her face. She closed her eyes against the salty moisture, readjusting her grip on both the rail and the staff. But behind her eyelids, she saw the Traveler—Petar—his broad shoulders encased in a fitted deerskin shirt and dark leather vest, a worn oiled cape folded over his arm, and this very staff in his hand. His leather breeches tucked into knee-high boots, nicked and scratched from his many adventures. As she listened to his thoughts, he would shake his shaggy light-colored hair from his brown eyes, dispensing a favored nod or wink from time to time.

How many hours had she spent sitting around the fire with the others of her tribe—young and old—sitting at his feet, soaking in the stories of his travels around the world? Her tribe never left Lika Forest; all of them were hungry for a glimpse of places they would never see. 

Petar told of people who spoke mouth to ear, and never with the mind. Of cities with untold thousands who lived, strangely, on the very ground. Of vast areas of sand with no trees, and untold expanses of water, where one could no longer see land. Each story seemed like a faerie tale. If only she could see if the stories were true.

And here she was, embarking on a journey much like the Traveler. If she found him, would he be proud of her? Grateful to be reunited with the staff he had left behind and the information she brought? Perhaps, just perhaps he would understand that she longed to keep him company on his search. Perhaps he would invite her to join him as a partner. A friend. 

And perhaps even more. 


When Writing Gets Difficult: 5 Things I Learned from Sue Grafton

This post is especially true for me today. For the last two weeks my head has been immersed in researching and making food safe for my son, who has been diagnosed with over 50 food allergies. For the moment, it's really hard for me to relax my brain enough to write, but hopefully I'll see the light at the end of the tunnel soon!

If you love mysteries, you already know about Sue Grafton. A prolific writer, she is currently on book twenty-one of a twenty-six book series, each titled with a letter of the alphabet. Her first novel was A is for Alibi in 1982. With a career that spans almost three decades, an author is bound to develop some sound advice. I ran across a Writer's Digest interview with Grafton, and made a list of what I learned.

Writing is hard work.


Aspiring authors often think that if you're a "true writer", the words just pour onto the page. That happens sometimes, but the fact is, writing is hard work. Like any other job, there are days when you can't wait to get to work, and at other times you have to force yourself into it. Combined with the fact that new writers must have a finished product before they have even a shred of hope of getting paid, it can be difficult to spend time and energy on a dream.

Even successful writers fear they've lost their edge.

Novice writers wonder all the time if they're any good. They crave feedback. Positive comments keep them writing, while negative ones often shut them down--somtimes for good. We imagine that if we can just get an agent, or get published, or sell so many copies, that we'd have all the assurance we need. Not so. Even bestselling authors, with piles of awards and accolades, wonder if this next book will prove they've come to the end of their talent.

Don't let your ego get in the way.

Sue Grafton believes that while her ego thinks it has the ability to write, it's actually the still, small voice inside her that really has the skill. So even if you have received some great feedback--a contest win, an article published in a magazine--don't let the heady scent of success derail you from the work of writing. 

Be ready to learn new things.

Your characters will need skills that you don't presently have. Take lessons, ask experts, and keep your eyes open. Whether it's self-defense, spinning wool, or bussing tables, your readers will be able to tell if you're making it up or you've really tried it.

Give yourself time to get better.

I was thrilled beyond belief to finish my first novel. Though it might never see the light of day, it proved to me that I was capable of completing something that made sense and was 100,000 words long. Now, several projects later, I am only beginning to see how much I need to learn. Being a writer means being in it for the long haul. There is no instant success.

If you'd like to read the entire interview with Sue Grafton, go here. We've all got a lot to learn.

What are the biggest things that keep you from writing?


At home with famous writers

My post is late today, because I've been wrestling with a case of tomatoes.

They started out like this.



Then I had to skin them (requiring both a boiling water bath, followed by an ice water bath), squeeze the juice from them, slice and cook them. Then they looked like this (though my pot was huge!)


Then it was time to puree the sauce to separate out any extra seeds or skin. Leaving a huge pot of this.

So, what do you think we're having for dinner tonight?

(all photos courtesy of Stock.xchng, because I was too messy to touch my camera!)

So there's a day at home with me. And my tomatoes. Which I did not grow. But I don't want to leave you without something inspirational. Here's a link to photos of the homes of five famous writers. Authors like Stephen King, Anne Rice, and several others with amazing homes. I'd show you mine, but there are tomato sauce splatters everywhere. 

Even on the dog.

Would you like your home to appear on a site like this someday?

What's a writer to think about the #HungerGames?

The group dressed up and headed to the premiere.
My house is unnaturally quiet. It's the first official day of Spring Break, and I have extra teens in the house besides my own four. Yet no one's stirring.

Why?

They all attended the midnight showing of the Hunger Games, based on the bestselling books by Suzanne Collins. If you haven't heard about the movie by now (and there will be several sequels), it's time to understand what the hype is about. After all, you do want your own books to be made into movies, right?

What is it that made Collins' books so compelling? I have a couple of opinions.

The writing is good. Even the most fantastic idea will fall flat if the execution is not there. Collins is not a debut author, and spent years writing fiction and for television. Though her novels are written in present tense, which not all readers enjoy, you'll be surprised how you don't notice it because you're pulled in by the characters. Though it's a young adult book, adults have caught the fever and devoured the series. If you haven't, you should. All in the name of writerly research, of course.

She employs constant conflict. Collins not only fills her novels with nonstop action, but the characters each have complex inner and outer conflict. For a fantastic analysis of how the conflict is used to its best advantage, check out Randy Ingermanson's article Characters in Conflict. I guarantee reading it will improve your manuscript.

She takes advantage of screenwriting techniques. Collins has written for children's television for over twenty years. That kind of long-term experience brings huge benefits for novel-writers. Making use of screenwriting techniques helps to pull your reader along, instead of letting the story meander. When it came time for the screenplay to be written, Collins wrote the first draft herself, and collaborated on the further evolutions. For more information on screenwriting techniques, check out the free plot tools from Save the Cat.

I'm sure there are many other opinions of what Collins did right. What's your opinion?
Midnight madness over the Hunger Games

How would you like to have dinner with Donald Maass?

Making writing contacts is a big part of the publishing process. Attending workshops and conferences can put writers in range of coveted agents, editors, and authors. But here's an opportunity for anyone to sit down for dinner with one of four publishing stars.

Dinner with the Stars is a fundraising event connected to the wonderful Pikes Peak Writers Conference in Colorado Springs, Colorado. Guests do not have to attend the conference to have a shot at one of the coveted seats.

Here's how it works. Bidders submit bids on one of eight seats at a banquet table with either agent Donald Maass, mystery author Robert Crais, romance author Susan Wiggs, or crime writer Jeffrey Deaver. Bids start at $50, which covers the gourmet dinner. The two highest bidders at each table sit on either side of the honored guest.

The date for the event is April 19th at 6:30pm. Each guest receives a gift from the VIP (like a signed book), and a photo with the VIP. Guests also enjoy priority placement for the book signing following the dinner. Bidding opened only a few days ago, and there are plenty of slots left. Check out the bidding action at the Dinner with the Stars page.

So if you're in the Colorado area (or can get there), you've got a guaranteed way to meet four amazing people. Would you do it if you could?

Interview with Author Jack Remick, Part One

Today and tomorrow I'm interviewing author and writing teacher Jack Remick. Remick, along with author Robert J. Ray, run a fantastic writing blog that I've highlighted before (here). Don't miss Bob and Jack's Writing Blog. They offer seven free writing courses.

Jack has a brand new novel releasing this month, called The Deification. Readers interested in California's Central Valley during the 60's will discover the origin of the term 'beatniks', and much more with Remick's literary style. Check the bottom of the post for the book's blurb.

Today's questions focus on Remick's path to publication. One technique he uses is called 'timed writing'. Tomorrow I'll let him explain what timed writing is, and how it helps the writing process.

Debbie: How did you get started on your writing  journey, and how long did it take until you were published?

Jack: We all stand on the shoulders of giants. As a writer, I have to acknowledge that some pretty good guys ran a lot of ink onto paper before I came along. Poetry was my entry into the writing world. Without knowing anything about how hard it was I decided early on—about 17 or so—to be a poet. I tried all kinds of poetry—romantic gushing, Greek dactyls in heroic form, free verse, all imitative until I met Thom Gunn who was teaching poetry at UC Berkeley. Mr Gunn, himself a terrific poet and friend of Ted Hughes, told me, after reading some of my derivative gunk that if I inhabited another man’s universe it would always be smaller than the one I could create for myself. 
That little push launched me into a new world and a few months after that lecture I wrote a piece called To Kepler . That poem was my first published piece.  I thought—okay, that was easy. But it took about fifteen years before I had another poem in print.  Jack Moodey, a huge influence on my writing told me to take my time, don’t rush into print. Learn the basics before you try to play with the big boys. That was and still is good advice.  Too many beginning writers feel the need for validation long before their technique is high quality. This need produces monumental problems. 
A few years later I got interested in fiction. Again, success came fast—a story called Frogs come out in The Carolina Quarterly and again I thought well if it’s that easy, no sweat. But the Muses had other ideas and it took eight years for any of my work to find a home. After the initial learning ordeal, I’ve had some successes—novels, short story collections, screen plays and a couple of anthologies, one, The Seattle Five Plus One  that I’m very proud of because in that poetry collection I worked with some inspired and inspiring poets who taught me a lot about craft, form, technique, drive, image, metaphor—all the good stuff you need to know to be not just a poet but a writer in this hard hard world.

Debbie: Do you have an agent? (you can explain why or why not, or how you found your agent)

Jack: I am fortunate to have a very good and capable agent by the name of M. Anne Sweet. She’s a poet, graphic artist, magazine editor and, now, agent who helps me shape my writing. She asks the oblique questions that make me ask other questions  that in the end answer problems of narrative, dialog, object and, what I call “plot tracks.” 
Debbie: Do you write every day? Have a weekly word count?

Jack: I work every day. I do timed writing two days a week with a group of other writers down at Louisa’s Bakery Café on Eastlake in Seattle. If you’re in Seattle, give me call and we can write together. It’s an open group so everyone is welcome. We usually write for thirty minutes. In addition to the active timed writing on Tuesdays and Fridays, I work scenes or pages three days a week with another group of writers so I get a lot done. If I’m not engaged with the clock and the fountain pen and a pad of paper, I’m working text, rewriting. We have developed an entire book of techniques for the rewrite, most of which Bob has gotten into his wonderful book The Weekend Novelist Rewrites the Manuscript.

Debbie: I'd love to get to Seattle and write with your group! What methods help you combat or avoid writer's block?


Jack: As you can see from everything up to this point, writer’s block isn’t a problem. Using these techniques to develop stories, I’ve managed to produce The California Quartet, four novels that Coffeetown Press will publish in 2012. The first volume, The Deification is already in print and available either from the publisher or from Amazon.com. In addition to the Quartet, Coffeetown will bring out Gabriela and the Widow in 2012. I wrote Gabriela in less than a year using these techniques. Gabriela is the story of a 20 year old Mexican girl who comes to the Valley of Bones to take care of a 92 year old Widow. It’s pretty mythic.



Debbie: What's next for you, writing-wise?

Jack: Right now I’m doing some serious reworking of Valley Boy, the second volume of The California Quartet. Once Valley Boy  is in the can, I have a novel called Maxine in just aching for a rewrite. I have a single rule for my writing—leave no book unfinished. 

Find out more about Jack Remick with these links:
The Deification
About the book:
 
To be a writer in America, you have to bleed. Eddie Iturbi, a young car-thief obsessed with the dark magic of Beat culture in a mythic San Francisco, sets off on a spaced-out crusade to connect with the Beat gods. En route Eddie links up with living legend Leo Franchetti, the last of the Beat poets. Leo sends Eddie to the Buzzard Cult where a mysterious mentor reveals the writers' ritual of blood and words. Changed and invigorated and back in the City, Eddie falls in love with a snake dancer at the Feathered Serpent. She can't save him from Scarred Wanda, jealous bad-girl of literature, whose goal is to destroy Eddie before Jack Kerouac relays all the magical secrets of the literary universe. Immortality is just a book away. Will Eddie live long enough to write it?
Check back tomorrow for all kinds of details about timed writing, and how to use it to streamline your novel-writing process. If you have a question for Jack, leave it in the comments, and he'll try to answer if he can. 
Check out the interview, Part 2.

When Writing Gets Difficult: 5 Things I Learned from Sue Grafton

 We're getting close to the halfway point of NaNoWriMo, and this is where it gets hard to keep going. To give you a little inspiration for the weekend, here's a repost with some writerly encouragement.

If you love mysteries, you already know about Sue Grafton. A prolific writer, she is currently on book twenty-one of a twenty-six book series, each titled with a letter of the alphabet. Her first novel was A is for Alibi in 1982. With a career that spans almost three decades, an author is bound to develop some sound advice. I ran across a Writer's Digest interview with Grafton, and made a list of what I learned.

Writing is hard work. Aspiring authors often think that if you're a "true writer", the words just pour onto the page. That happens sometimes, but the fact is, writing is hard work. Like any other job, there are days when you can't wait to get to work, and at other times you have to force yourself into it. Combined with the fact that new writers must have a finished product before they have even a shred of hope of getting paid, it can be difficult to spend time and energy on a dream.

Even successful writers fear they've lost their edge. Novice writers wonder all the time if they're any good. They crave feedback. Positive comments keep them writing, while negative ones often shut them down--somtimes for good. We imagine that if we can just get an agent, or get published, or sell so many copies, that we'd have all the assurance we need. Not so. Even bestselling authors, with piles of awards and accolades, wonder if this next book will prove they've come to the end of their talent.

Don't let your ego get in the way. Sue Grafton believes that while her ego thinks it has the ability to write, it's actually the still, small voice inside her that really has the skill. So even if you have received some great feedback--a contest win, an article published in a magazine--don't let the heady scent of success derail you from the work of writing. 

Be ready to learn new things. Your characters will need skills that you don't presently have. Take lessons, ask experts, and keep your eyes open. Whether it's self-defense, spinning wool, or waiting tables, your readers will be able to tell if you're making it up or you've really tried it.

Give yourself time to get better. I was thrilled beyond belief to finish my first novel. Though it might never see the light of day, it proved to me that I was capable of completing something that made sense and was 100,000 words long. Now, several projects later, I am only beginning to see how much I need to learn. Being a writer means being in it for the long haul. There is no instant success.

If you'd like to read the entire interview with Sue Grafton, go here. We've all got a lot to learn.


Interview with Author Dustin Kuhlman and #bookgiveaway


 Today I'm interviewing author Dustin Kuhlman, who has recently released his debut novel, Warned. I wanted to pick his brain about his self-publishing experience. But first, a few words about his book:
Warned is a science fiction with an ecological bent. Scientist Jon Castel is part of a team charged with preserving human life in outer space, since global warming is bringing earth to an imminent end. Thrown together on a team with an antagonistic ex-girlfriend, and an impossible mission, he's about to make the greatest discovery mankind has ever known.
DMA: What's next for you: mainly marketing, or are you starting another novel?
DK: Marketing can be a two or three year process. I will be spending a few years on marketing. I will write more novels in the years to come.
DMA: What was the decision-making process for you? Did you try traditional publishing, or did you plan to self-publish from the start?
DK: While I was finishing up Warned I was drafting query letters and a synopsis along with everything else you need to publish a book. The more I researched the more I started to think about self-publishing. There are many negatives of getting a publisher, from making about $1 per book, having to do most marketing on your own, losing control of editing what stays what goes, and the fact that it would have probably added one or two years delay to my release date. I decided to keep control of my content and self-publish. I never contacted one agent or publishing company. There are only two reasons why I would try to get published. If you are unable to afford the costs involved with self-publishing from editors and cover designers, etc. The second reason would be the prestige of getting picked up by a major publisher.
DMA: Your book is available as a print book and an ebook. Would you take that route again, or go completely digital?
 DK: It is a very unique time right now to publish a book. The market seems to be nearly 50/50 when it comes to print and digital books. For the next five or ten years I would go both routes, despite the fact that ebooks are starting to outsell print books. There is something nice about holding the physical book in your hands after years of work. Ebooks on the other hand are much cheaper to publish.
DMA: What were/are your biggest hurdles? What do you know now, that you wish you'd realized earlier in the process?
DK: There are many things I wished I’d known before I started this process. What stands out the most is submitting a “stock up request” to Amazon about two weeks before my release date. Amazon orders books from the author with an algorithm, in other words there are not people sending you orders, they are computers. I ran out of stock on my release date and it remained out of stock for over a week. I felt like I missed some orders because some people won’t order something that is out of stock. Another benefit for a stock up request is shipping prices. Using media mail is great, if you can send many copies at once it is much better. To send one book media mail runs about $2.60, to send 24 books runs around $10. Amazon already keeps 55% of sales so keeping shipping prices low will help maximize profits.
DMA: Two of the biggest criticisms of self-published books are poorly designed covers, and books full of editing errors. What steps did you take to make sure your book stood out?
DK: Since this was my first book and I was very passionate about it, I decided to contact a famous cover artist and find a great editor too. The internet was essential in this search. I was able to negotiate a lower price for the cover artist, since I was a self-publishing author. It wasn’t cheap but I felt it was a good deal. After all, he had designed the covers for many famous authors and worked on movies such as Star Wars and I,Robot.
Dustin Kuhlman was born and raised in Lincoln, Nebraska and studied at the University of Nebraska-Lincoln. Growing up he loved to draw and always thought drawing and producing art would be his creative outlet. Around his 24th birthday, through unusual circumstances, he found his calling to write while living in Las Vegas. He currently lives and writes in Colorado Springs at the foot of Pikes Peak. Now 28, with his first novel finished, Dustin hopes to write many more books in various genres. He puts high importance on self-education and learning, whether it is literature, philosophy, science, or the human condition. He enjoys quotes and studying the great thinkers of mankind from Eratosthenes and Einstein to Voltaire and Thoreau and always considers himself a student of the world. Find out more about Kuhlman at his website.


  Do you have a question for Dustin? Leave it in the comments, and Dustin will answer it.
I'll choose one commenter at random to win a copy of his book (sorry, US only)

When roadblocks get in the way--Encouragement from author Sherrilyn Kenyon

Writing is hard. Writing with huge boulders blocking your way is even harder. How do you keep going when everything in life seems to point at quitting?

Sherrilyn Kenyon has been there. Many times. She gave a keynote address at the recent Romance Writers of America conference, detailing exactly how she's kept going in the face of discouragement, medical issues, finances, rejection, and much more. If you've ever wondered if circumstances were telling you to quit, you should read her story first.

The complete transcript of her speech can be found at this link on Kenyon's Facebook page. If you're not able to access it,  she shares the same story on her blog.

Here's a quote to get you started:
"I am a case study in if you want it bad enough... if you’re willing to fight and believe, you can do it. Believe me. If I can be here, so can you. You just have to steer that ship through the storms and no matter how foggy the day, believe that there is a safe harbor somewhere out there and that you will find it."
Stories like these are one of the reasons I love to go to writer's conferences. It's all about one writer encouraging another to keep going.

Who has encouraged you when you were ready to quit? And have you been able to do the same for someone else?

When Writing Gets Difficult: 5 Things I Learned From Sue Grafton

If you love mysteries, you already know about Sue Grafton. A prolific writer, she is currently on book twenty-one of a twenty-six book series, each titled with a letter of the alphabet. Her first novel was A is for Alibi in 1982. With a career that spans almost three decades, an author is bound to develop some sound advice. I ran across a Writer's Digest interview with Grafton, and made a list of what I learned.

Writing is hard work.

Aspiring authors often think that if you're a "true writer", the words just pour onto the page. That happens sometimes, but the fact is, writing is hard work. Like any other job, there are days when you can't wait to get to work, and at other times you have to force yourself into it. Combined with the fact that new writers must have a finished product before they have even a shred of hope of getting paid, it can be difficult to spend time and energy on a dream.

Even successful writers fear they've lost their edge.

Novice writers wonder all the time if they're any good. They crave feedback. Positive comments keep them writing, while negative ones often shut them down--somtimes for good. We imagine that if we can just get an agent, or get published, or sell so many copies, that we'd have all the assurance we need. Not so. Even bestselling authors, with piles of awards and accolades, wonder if this next book will prove they've come to the end of their talent.

Don't let your ego get in the way.

Sue Grafton believes that while her ego thinks it has the ability to write, it's actually the still, small voice inside her that really has the skill. So even if you have received some great feedback--a contest win, an article published in a magazine--don't let the heady scent of success derail you from the work of writing. 

Be ready to learn new things.

Your characters will need skills that you don't presently have. Take lessons, ask experts, and keep your eyes open. Whether it's self-defense, spinning wool, or bussing tables, your readers will be able to tell if you're making it up or you've really tried it.

Give yourself time to get better.

I was thrilled beyond belief to finish my first novel. Though it might never see the light of day, it proved to me that I was capable of completing something that made sense and was 100,000 words long. Now, several projects later, I am only beginning to see how much I need to learn. Being a writer means being in it for the long haul. There is no instant success.

If you'd like to read the entire interview with Sue Grafton, go here. We've all got a lot to learn.


Brainstorm With Bradbury, Chat With Capote, Dish With Doctorow

Thanks to a heads up in the latest issue of The Writer magazine, I've discovered a fascinating spot to get to know my favorite authors. Until recently, interviews posted by The Paris Review could be accessed only by subscribers.

Not anymore.

Now, readers can peruse this amazing collection of interviews, without spending a penny. The interviews are grouped by decades, going all the way back to the 1950s.

Reading through several interviews reinforces the fact that no two writers use the same process. Some regret their MFAs. Some felt their MFA was invaluable. Through varying levels of confidence, successes, and failures, those of us in the learning stage comprehend a valuable lesson.

An individual's process is just that. Individual.

What works for one person won't necessarily work for you, but it's interesting to try on some of the habits of history's amazing writers. Who knows which quirks may tickle your muse?

Here are a few quotes from some of the interviews I enjoyed reading:

Truman Capote on devices to improve a writer's technique:
Work is the only device I know of. Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself. 

John Updike on his writing habits:
I write every weekday morning. I try to vary what I am doing, and my verse, or poetry, is a help here. Embarked on a long project, I try to stay with it even on dull days. For every novel, however, that I have published, there has been one unfinished or scrapped. 

John Steinbeck on criticism:
Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn’t mean anything to me. As a disciplinary matter, it is too late.

Toni Morrison on helpful editors:
The good ones make all the difference. It is like a priest or a psychiatrist; if you get the wrong one, then you are better off alone. But there are editors so rare and so important that they are worth searching for, and you always know when you have one.

Steep a fresh cup of tea and sit down with one of your favorite icons. Which will you choose first?

The Writer's Room: What Does Yours Say About You?



I'm fascinated with peering into the spaces where writers create. Whether it's a pristine cottage look, or a cluttered space dominated by stacks of books and papers, I feel I get a glimpse into the personality of the author.

How about you?

Light. Some writers, like artists, need large doses of natural light in which to work. Others find a dim, cave-like atmosphere conducive to getting words on the page. Large windows with spectacular views dominate the spaces of certain authors, while another group finds the view distracting.

Clutter. Writing is an activity that naturally creates clutter. Multiple drafts, writing and research books, maps and scribbled notes. They all add up. Not to mention, there's little time to clean up when one is under deadline. Some writers thrive on this atmosphere, while others need a clean desk, with every pencil in place before the muse can strike.

Noise. It's a rare writer who enjoys a silent writing space. Kids, phones, traffic--the wise writer will learn to tune out extra noise. Some enjoy background music as they type, and a few need tunes blaring before their words come pouring out.

Comfort. Whether you type at a computer, or curl up in an armchair, comfort is both a necessity and a curse. An uncomfortable chair keeps you from the writer's goal: BIC (Butt In Chair). On the other hand, too much comfort induces sleep or daydreaming. It's not easy to find a happy medium.

I looked around the web to find examples of writer's spaces to inspire me. These rooms, some beautiful, some quirky, some questionable, may give you ideas for your own space.

The Guardian posted a long-running series of famous author's writing rooms. From Roald Dahl's writing hut, or see the table where Jane Austen wrote longhand. For Victorian-only writing spaces, check this site. A fascinating site to spend some time. Similarly, Writer's Fest has a series on writing spaces.

Artist Elena Climent has painted murals of a series of writers' rooms. A beautiful way to learn more about particular writers. And Jennifer Bertman collects photos of the creative spaces of children's writers and illustrators.

Perhaps you'd like to see the homes of famous writers for yourself. This site lists five author homes if you're planning a literary vacation, from Louisa May Alcott to Ernest Hemingway. P. D. Smith has more in A Writer's House.

Maybe you'd like to visit some famous literary bars in New York City, or tour literary Dublin. A particular place connected with a famous author may be the perfect spot to inspire you. Check Literary Locales for over 1300 photos of places important in the lives of literary figures.

Is your environment holding you back, or does it free you to write? If you've posted photos of your writing space online, feel free to link to your post in the comments.

Free Resources from Author J. A. Konrath

I can't tell you how impressed I am with author J. A. Konrath. He is a best-selling, multi-published author, who gives back to new writers in huge ways. Want to benefit from his generosity?

Konrath's website is so chock-full of great information, I won't be able to cover it all here. But we'll at least get started. The author of the popular Jack Daniels series is a master at combining crime, comedy, and suspense. He also writes horror under the name Jack Kilborn.

He also happens to be starting a revolution in the publishing world. Konrath is shunning a traditional publisher for his next novel, and is releasing it through Amazon as a self-published title.

Sure, he's already got a large fan-base, but he's thought through the decision, and is already making far more money through Kindle versions of his books that traditional publishing brought in. Konrath's blog, A Newbie's Guide to Publishing, often has posts explaining the very latest news in the publishing world. His article on why he's releasing his next book on Amazon is must-reading for any of you that are considering the self-publishing route.

A Newbie's Guide to Publishing should find its way into your blog reader. This is valuable information. Konrath has even gathered 1000 pages of his best posts from the blog into a Kindle book that you can download for $2.99. Alternatively, you can check out a huge amount of his advice on his Tips on Writing page.

Also on Konrath's website:

An active forum, Joe's Place, where writers and readers can talk about Konrath's books, enter contests, and share with each other about writing and publishing.

A tremendous page of links to Korath's interviews, articles, and essays, plus links to great writing sites and author sites.

A page of freebies, and links to his inexpensive ebooks for sale.

Konrath received over 500 rejection letters from agents and publishers before he sold his first book, Whiskey Sour. So the words on his blog are true: "There's a word for a writer who never gives up . . . published."

Free Resources from Marilynn Byerly

The current advice for new fiction authors is to pick a genre and stick to it, in order to build an audience. Author Marilynn Byerly began her career by writing romance, suspense, thriller, paranormal, fantasy and science fiction. I was curious enough to find out more about her.

In for the long haul. She's been at this for years. Byerly began writing in 1981 after her dad passed away. Realizing the brevity of life, she started to write down the ideas floating around in her head.

An endurance writer. In this interview with Byerly, I discovered that the first novel she sold was the seventh novel she wrote. That's dedication. To keep on writing despite months and years of rejection. Byerly mentions a quote a friend sent her upon her first sale:

Beyond talent lie all the usual words: discipline, love, luck--but most of all, endurance.   -James Baldwin

Paying it forward. Byerly has paid her dues, but she hasn't forgotten what it was like to be prepublished, and hungry to learn more about the writing craft and the business of publishing. On her website, she has an index of several dozen helpful articles on writing, publishing, marketing, and copyright.

Two articles that caught my attention were How to Finish a Novel, and a piece on how to keep from using the word 'suddenly' in your writing.

Marilynn blogs about twice per week, on all kinds of topics of interest to writers. My favorites are her link posts. About once a week, she posts a list of links to helpful articles she's found around the web.

If you're curious about Byerly's books, take a look at her website. She offers free chapters, and free short stories she's written.

So if you're a writer who is interested in more than one genre, take a page from Marilynn Byerly's book, and get writing.







Free Resources from Bob Mayer

It amazes me that after writing over 40 books, an author remembers what it's like to be just starting out, and gives away some of their hard-earned knowledge. Bob Mayer is an author like that.

Besides graduating from West Point, and staying busy with a career in Special Forces, Mayer has embarked on a second career--writing bestselling novels, books on writing, and engaging in an active speaking schedule. Just reading his bio makes me tired.

Let's take a look at Bob Mayer's website. He's got a great blog, with some good information from his Warrior Writer seminar. There are links to his writing workshops and online classes, and you can subscribe to Mayer's newsletter.

But my favorite page is his Writing Tips page. There's a free chapter to download from his Novel Writer's Toolkit. You can click on videos of several of Mayer's talks, like How to Write the Dreaded Synopsis, and Pitching an Editor/Agent. And then there are more than a dozen downloadable articles focusing on writing mistakes and solutions.

If you want even more from Bob Mayer, head over to the Writer's Digest homepage and sign up for their free newsletter (very worthwhile on its own). The signup gives you a free copy of Mayer's 128-page ebook, 70 Solutions to Common Writing Mistakes. The seventy solutions are divided among sections like writing habits, plot, scene & structure, editing & rewriting, selling your work, and the publishing business. The signup is on the lefthand side.

Looking for more author resources? Click on resources at the right.

Book Review: Plot & Structure

This week's book, Plot & Structure,  is getting quite dog-eared and marked up. Before I could write my review, I had to pry it from my daughter's hands (she's heading off to college, and majoring in creative writing). Needless to say, this book is not going with her. She'll have to get her own copy.

James Scott Bell is not only a prolific novelist (and former trial lawyer), but he has published three books on the craft of writing, all of which are in high demand. And for good reason.

Plot and Structure is a great book for those of us that like to learn visually. Full of diagrams, charts and illustrations, the reader can easily grasp the concepts Bell is explaining.

Figuring out how to take an idea and give it enough substance to carry a reader through 300 pages is not something we all learned in school. Bell explains how plot affects every aspect of a novel. He gives details on several different plotting systems, so you can find the one that works best for you.

Probably the most encouraging part of the entire book is Bell's introduction. He explains how he wasted ten years of his life because he had been told that writing could not be taught. Bell insists that writing can be taught, and that anyone who is motivated to learn can grow into a good writer. Fortunately, we have books by Bell to help us along.

James Scott Bell's website. Click on "Writer's Page" for links to writing articles by Bell. Click on the "News" page, where you can download an exerpt of Bell's latest book: The Art of War for Writers.

The Kill Zone: the blog where Bell posts on Sundays.

Write Your A** Off Day

If you're a fiction writer, you probably know about Nanowrimo, where you spend the month of November writing a novel. Chances are, you haven't tried it. Well, next Saturday, you can see if you have what it takes.

The New York Writer's Coalition has declared June 12, 2010, Write Your A** Off Day. It's quite simple. Write 3,000 words, which is about 10 pages, in one day.

Since you're only committing to one day of writing, instead of a month, it doesn't seem like such a huge task. And if you are successful, imagine how easy Nanowrimo will be, since you only have to write 1600 words a day.

If you live in the New York City area (which I don't anymore), you have the added bonus of a free breakfast and lunch, complete with workshops and an author talk by Nicholas Dawidoff. Find out more at the New York Writer's Coalition website.

If you, like me, can't jet to New York for the weekend, don't hesitate to take up the challenge and participate remotely. Find out more here and here. The registration to participate is free, and no matter where you live, if you writer your 3,000 words you can enter for a free private phone consultation with author Jennifer Belle.

So, is anyone going to join me?

Free Course: Finishing Your Novel

Thousands upon thousands of people begin novels. Only a tiny fraction of those actually finish, and from these, publishers choose the ones we see in bookstores. Why do so few complete their novels? Because it's hard work. Really, really hard work.

I know. I'm trying to finish my second novel, and it's just as difficult as the first. I'm over the excitement of a new idea. I've lived with my characters so long that I'm no longer infatuated with them. And frankly, reading the same story over and over gets old. As a writer, I begin to wonder if anyone out there would even like this story.

Fortunately for me (and you, too), I discovered author Timothy Hallinan's website last week. I couldn't wait to write this post. I even sent his link via Facebook to my writing friends so they wouldn't have to wait until this post came out.

Why? Because Timothy Hallinan is another one of those authors who gives back. He has posted a free course called Finish Your Novel, which is not only entertaining and practical, but humorous, too.

Hallinan's belief is that finishing a book is what made him a writer, not just working on something. Once he figured out how to successfully finish novel after novel, he came up with 30 steps, separated into five categories. Each of the short sections takes only a few minutes to read. You might even want to bookmark his  page so you'll remember to read once step each day of the month.

Most of us have at least one manuscript that we've begun and then set aside for one reason or another. Listen to Hallinan's take on this:

"The sad fact is that much of the time, the book they abandon is better than the one they set out to write. It's like a prospector who goes out looking for iron pyrites, finds gold, and throws it away."

Hallinan also blogs about writing at The Blog Cabin. On Wednesdays he has an interesting series where he interviews published authors about whether they write with an outline or not, in Plotting vs. Pantsing.

So, I've begun working through Hallinan's course. It's not hard. It's like getting a little pep talk every morning before I start typing. And who couldn't use one of those?

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